Graffiti covers a wall in this brand new building.
You can see "OMAHA" painted in yellow and green, with a map of its streets in the background. You can see two giant hands, clasped in a handshake. You can see a row of faces of people of different ages and races. One is the face of a handsome young Hispanic man. He has a goatee.
He stands here now in the flesh as he looks at the wall, which he and other young artists from the community had been asked to design and paint. (One of the artist mentors used his face as a model.)
"It's what this building is all about," says Hugo Zamorano, an art major at UNO. "It's the whole idea of community, coming together. It's the whole idea of community engagement."
The mural spans the long north wall of the basement garage of the new $24 million Community Engagement Center, paid for entirely by private money from the community. The center is located behind Criss Library in the middle of UNO's campus, which is in the middle of the city. It will be a place of unity and a gathering spot for the community and another way that UNO is shaking hands with the city:
This day he stands here is just a month before the building's April 17 grand opening. The mural's almost finished. The young artist is proud.
You can see it on his face.
Hugo knows the streets of Omaha better than many people in the city.
He loves what the city has given him. Omaha introduced him to friends who are now like family. Omaha tied boxing gloves onto his creative hands and watched him punch his way up the ladder in the local Golden Gloves. Omaha showed him a side not many get to see.
The moonlit side of its night.
The side of himself he looks back on now, seeing himself as a 16-year-old sneaking out of the house as his little brother pretends to be asleep and walking those streets with cans of spray paint.
Omaha inspired his art.
"A big part of graffiti is just to leave a mark. It feels good," he says. "I think a lot of people don't see it as a form of positive communication. I think it is. I think it can go both ways. It also can help people stay out of gangs, out of drugs, as an outlet or alternative to those."
Omaha – and UNO – is helping him succeed in life.
Hugo's family came from Los Angeles when he was 14. At 16, he was no longer a straight-A student. One night, he and a friend were painting a wall near the freeway. Police drove by. Hugo and his friend hid in some high grass. They should have waited longer. The police circled back and arrested them.
"I thought my dad would kill me," Hugo says. But at 16, maybe he just was too old to be spanked.
He was old enough, though, to see the disappointment on his parents' faces.
His parents were born in Mexico. They worked at jobs that didn't pay high wages. Neither went to college. But they both always told him that he would.
He brought his grades back up and found art mentors in the community. His parents didn't approve of his illegal graffiti art, but they did want him to express himself through art. He's now a junior at UNO. He plans to get his master's in art and maybe teach art at a college someday.
He knows education is the key to his dream.
While a student at Omaha's Bryan High, Hugo applied for the Susan Thompson Buffett Scholars program at UNO, a scholarship program for first-generation kids like him with talent but little money.
He says he'll never forget the day the acceptance letter came to his home. It was the weekend of the Cinco de Mayofestival in South Omaha. He remembers how his eyes swelled up.
And the smile that stayed on his face.