Dr. Robert Farquhar Darcy
- English, Professor
General Information
Teaching Interests
Renaissance Literature / Shakespeare / Critical Theory / History of Ideas / History of Print
Education
Ph D, University of Wisconsin-Madison, Madison, English, 2003
BA, Yale University, New Haven, CT, English, 1993
Additional Information
Publications
Book
Darcy, Robert. Misanthropoetics: Social Flight and Literary Form in Early Modern England. Lincoln: University of Nebraska Press, 2021.
Articles and Book Chapters
“Facial Recognition and Posthuman Technologies in Shakespeare’s Sonnets.” Multicultural Shakespeare, 24 (2021): 149-63.
“Puppets, Sexlessness, and the Dumbfounding of Male Epistemology in Ben Jonson’s Bartholomew Fair.” SEL: Studies in English Literature 60.2 (2020): 365-86.
“Teaching Shakespeare’s Sonnet 73.” SMART: Studies in Medieval and Renaissance Teaching, 26 (2019): 91-102.
“False Muscle Memory in Marlowe and Nashe.” Sexuality and Memory in Early Modern England: Literature and the Erotics of Recollection. Ed. John Garrison and Kyle Pivetti. New York: Routledge, 2016. 112-19.
“The Anticipatory Premise of History in the Reception of Shakespeare’s Sonnets.” Renaissance Shakespeare: Shakespeare Renaissances: Proceedings of the Ninth World Shakespeare Congress. Ed. Martin Procházka et al. Newark: U of Delaware P, 2013. 51-59.
“Marlowe and Marston’s Cursus.” Christopher Marlowe the Craftsman: Lives, Stage, and Page. Ed. Sarah K. Scott and M. L. Stapleton. Cornwall: Ashgate, 2010. 149-58.
“Shakespeare’s Empty Plot: The Epicenotaph in Timon of Athens.” Renaissance Drama, n.s. 33 (2004): 159-79.
“Freeing Daughters on Open Markets: The Incest Clause in The Merchant of Venice.” Money and the Age of Shakespeare: Essays in New Economic Criticism. Ed. Linda Woodbridge. New York: Palgrave, 2003. 189-200.
“‘Under My Hands . . . a Double Duty’: Printing and Pressing Marlowe’s Hero and Leander.” JEMCS: The Journal for Early Modern Cultural Studies, 2.2 (2002): 26-56.
Additional Information
Publications
Book
Darcy, Robert. Misanthropoetics: Social Flight and Literary Form in Early Modern England. Lincoln: University of Nebraska Press, 2021.
Articles and Book Chapters
“Facial Recognition and Posthuman Technologies in Shakespeare’s Sonnets.” Multicultural Shakespeare, 24 (2021): 149-63.
“Puppets, Sexlessness, and the Dumbfounding of Male Epistemology in Ben Jonson’s Bartholomew Fair.” SEL: Studies in English Literature 60.2 (2020): 365-86.
“Teaching Shakespeare’s Sonnet 73.” SMART: Studies in Medieval and Renaissance Teaching, 26 (2019): 91-102.
“False Muscle Memory in Marlowe and Nashe.” Sexuality and Memory in Early Modern England: Literature and the Erotics of Recollection. Ed. John Garrison and Kyle Pivetti. New York: Routledge, 2016. 112-19.
“The Anticipatory Premise of History in the Reception of Shakespeare’s Sonnets.” Renaissance Shakespeare: Shakespeare Renaissances: Proceedings of the Ninth World Shakespeare Congress. Ed. Martin Procházka et al. Newark: U of Delaware P, 2013. 51-59.
“Marlowe and Marston’s Cursus.” Christopher Marlowe the Craftsman: Lives, Stage, and Page. Ed. Sarah K. Scott and M. L. Stapleton. Cornwall: Ashgate, 2010. 149-58.
“Shakespeare’s Empty Plot: The Epicenotaph in Timon of Athens.” Renaissance Drama, n.s. 33 (2004): 159-79.
“Freeing Daughters on Open Markets: The Incest Clause in The Merchant of Venice.” Money and the Age of Shakespeare: Essays in New Economic Criticism. Ed. Linda Woodbridge. New York: Palgrave, 2003. 189-200.
“‘Under My Hands . . . a Double Duty’: Printing and Pressing Marlowe’s Hero and Leander.” JEMCS: The Journal for Early Modern Cultural Studies, 2.2 (2002): 26-56.