Jeremy Baguyos
- Professor
- Music Technology & Double Bass
- SPAC 217
- Music Technology & Double Bass
Additional Information
Biography
Jeremy Baguyos has spent his career in restless pursuit of the refinement of musical expression and the outer limits of creative possibility, often times mediated through digital representation/transformation and cogent interdisciplinary sensibilities.
Favorite artistic projects involve technology-mediated/technology-enabled composition and performance. His computer music work has been presented and performed in thirty-one states and eleven countries, highlighted by performances at the ICMA International Computer Music Conference, the Conference for the Society for Electroacoustic Music in the United States (SEAMUS), Electronic Music Midwest, Festival International de Música Electroacústica in Chile, the Toronto International Electroacoustic Symposium in Canada, and the Seoul International Computer Music Festival in South Korea.
He has published articles in the Computer Music Journal (MIT Press), Journal SEAMUS, the ICMC Proceedings, the SEMPRE Proceedings (University of London), the Northern Virginia Review, the ISB’s Bass World, and the College Music Society’s Symposium.
He is also Principal Bass of the Des Moines Metro Opera Summer Music Festival Orchestra and performs regularly with the Omaha Symphony. He has held full-time symphony orchestra posts with the Orquesta Filarmonica de GC (SPAIN) and the Shreveport Symphony and has also performed with the double bass sections of the Kennedy Center Opera House Orchestra/Washington National Opera, the National Symphony, the Kansas City Symphony, and the Milwaukee Symphony.
As a teacher, he has been recognized by and received awards from the American Music Education Initiative of the National Music Foundation and UNO’s Alumni Association.
He is currently the editor of the Online Journal of Bass Research and the chair of the ISB/David Walter Composition Competition.
One of the driving forces in his research and teaching is that in order to instill a sense of musical aesthetics into a computer and in order for technology to truly serve human needs, one must first understand the nature of humanity itself, as defined with and expressed through music and the arts.
Research and Creative Activity Interests
- Technology-mediated/technology-enabled composition and performance
- Double bass performance (orchestral, chamber, solo, and jazz)
- S.T.E.A.M. and S.T.E.A.M. advocacy
- Audio forensics
Education
BM, Indiana University, BloomingtonMM, The Peabody Conservatory of Johns Hopkins University
Scheduled Teaching
- Electronic Music Production
- Audio Recording
- Introduction to Music Tech
- Double Bass (classical and jazz)
- Audio for Multimedia
- Jazz Combo
Additional Information
Biography
Jeremy Baguyos has spent his career in restless pursuit of the refinement of musical expression and the outer limits of creative possibility, often times mediated through digital representation/transformation and cogent interdisciplinary sensibilities.
Favorite artistic projects involve technology-mediated/technology-enabled composition and performance. His computer music work has been presented and performed in thirty-one states and eleven countries, highlighted by performances at the ICMA International Computer Music Conference, the Conference for the Society for Electroacoustic Music in the United States (SEAMUS), Electronic Music Midwest, Festival International de Música Electroacústica in Chile, the Toronto International Electroacoustic Symposium in Canada, and the Seoul International Computer Music Festival in South Korea.
He has published articles in the Computer Music Journal (MIT Press), Journal SEAMUS, the ICMC Proceedings, the SEMPRE Proceedings (University of London), the Northern Virginia Review, the ISB’s Bass World, and the College Music Society’s Symposium.
He is also Principal Bass of the Des Moines Metro Opera Summer Music Festival Orchestra and performs regularly with the Omaha Symphony. He has held full-time symphony orchestra posts with the Orquesta Filarmonica de GC (SPAIN) and the Shreveport Symphony and has also performed with the double bass sections of the Kennedy Center Opera House Orchestra/Washington National Opera, the National Symphony, the Kansas City Symphony, and the Milwaukee Symphony.
As a teacher, he has been recognized by and received awards from the American Music Education Initiative of the National Music Foundation and UNO’s Alumni Association.
He is currently the editor of the Online Journal of Bass Research and the chair of the ISB/David Walter Composition Competition.
One of the driving forces in his research and teaching is that in order to instill a sense of musical aesthetics into a computer and in order for technology to truly serve human needs, one must first understand the nature of humanity itself, as defined with and expressed through music and the arts.
Research and Creative Activity Interests
- Technology-mediated/technology-enabled composition and performance
- Double bass performance (orchestral, chamber, solo, and jazz)
- S.T.E.A.M. and S.T.E.A.M. advocacy
- Audio forensics
Education
BM, Indiana University, BloomingtonMM, The Peabody Conservatory of Johns Hopkins University
Scheduled Teaching
- Electronic Music Production
- Audio Recording
- Introduction to Music Tech
- Double Bass (classical and jazz)
- Audio for Multimedia
- Jazz Combo