Yellow Barn Press titles available
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A Year at the Sorbonne:
A Proustian Life
by Oliver B. Pollak
with wood engravings by Sandy Connors
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This is a biography of the printer's brother, Elmo, based
on Elmo Shaver's sixty-three-volume diary which he began in 1932
at age 15 and continued "to within three days of his death
in his 79th year in 1995." Neil Shaver designed and printed
the Monotype Garamond set by Michael and Winifred Bixler. Sandy
Connors created two wood engravings for illustration and for
the patterned paper cover. The Frankfurt white sheets were bound
by Campbell-Logan Bindery. 150 copies. 2002. 9 1/2 x 6 1/4 inches.
127 pages. $149.
from Pollak's conclusion:
"Words, reading, and writing are the building blocks
of communication. . . . Why did Elmo keep his diary in several
languages? Perhaps for practice, perhaps, as he wrote in a 1988
memoir, "These alien tongues pepper my prose as my private
reward for the effort these pages cost me," perhaps because
he could. . . .
From where came his admiration for Jewish intellect"
. . . Whether drawn toward Jews consciously, through empathy,
or as in a magnetic field, he had traveled far from the youthful
influences and prejudices of Edna Blackwood and his aunt, accepting
Christian Science, and appreciating Catholicism and Judaism.
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The Yellow Barn Press: A History
and Bibliography
compiled by Jack Walsdorf
with history and comments
by Neil Shaver
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12 3/4 x 9 inches, I40 pages with an additional 22 color plates
(printed offset). There are fifty-eight illustrations, many of
them John DePol's wood engravings. The text has been carefully
composed by Michael and Winifred Bixler in 14 point Perpetua,
an Eric Gill design. The book has been printed by Neil Shaver
on Zerkall paper. Quarter bound at Campbell Logan Bindery in
black Oasis goat skin with a DePol pattern paper over boards
and a leather spine label, all in a cloth covered clamshell box.
The edition is limited to 175 copies. $400 plus $15 insured domestic
shipping.
"an essential volume" -- The Book Club of California
Quarterly News-Letter, Winter 2001
"This handsome and well-documented bibliography is typical
of Yellow Barn's output: beautifully machined, well constructed,
generously margined, typographically restrained but never dull,
with (in this case) satisfying calligraphy by Jerry Kelly on
the title-and half-title pages. ... This bibliography and history
is an apt celebration of a distinguished series of thirty-three
books from Yellow Barn. It is generously illustrated with wood-engravings
(one in two colours_ and halftones, and lithographic reproductions
of text and title-pages, announcements and ephemera, and beautifully
bound in quarter leather and a DePol printed paper by Campbell-Logan
Bindery. 'What can possess a man to have life-long avocation
and then after many years, turn it into a vocation?' asks Neil
in his foreword. Maybe the answer is a talent for design and
a sure yee for a well-printed sheet that he never realised he
had." -- John Randle, Matrix
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The Parson-Printer of Lustleigh
by Carroll Coleman
linocuts by Bill Jackson
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This true story of an English parson who enlisted
his domestic servant, Mary Hole, to set type and learned printing
so he could self-publish originally appeared in Autumn 1935 issue
of The Colophon. Set in Poliphilus type and illustrated with
four of Jackson's playful linocuts. (Two are 2-color and two,
one-color). Case bound by Campbell-Logan in Claire Maziarczyk's
metallic paste papers with Japanese linen cloth spine. Label
on the spine. 16 pages. 130 copies 1999 $39.00 |
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Return of a Private Out
of Print
by Hamlin Garland
wood engravings by Gaylord Schanilec
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This story first appeared in 1891 in a collection
of Garland's short stories that were about life on the prairie. He
wrote, "The ugliness, the endless drudgery, and the loneliness
of the farmer's lot smote me with a stern insistence." The
stories are full of grim, gaunt, sordid, pathetic, ferocious
figures. The Return of a Private relates well to the modern reader
because it is about a Civil War soldier returning to his home
in rural Wisconsin. William Dean Howells felt it was "a
satire of the keenest edge, as well as a tender and mournful
idyl of the unknown soldier who comes back . . . with no blare
of welcoming trumpets or flash of streaming flags." Does
that sound familiar?
Illustrated with three two-color wood engravings by the Wisconsin
artist, Gaylord Schanilec. Printed from Monotype Perpetua on
Zerkall paper and case bound: cloth spine with Nepal paper over
boards. 10 x 7 inches. 30 pages. 1998. $59.00
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This
title is now out
of print
Not Barn Again
wood engravings by John DePol
Four wood engravings of barns made for
a book that was never written. Printed now by Neil and Joe Shaver
on Zerkall mouldmade paper. Preface and display types are Poliphilus.
Sewn into paper covers of Fabriano Ingres. 10 3/4 x 8 inches.
14 pages. 150 copies. 1997.
$35.00 out
of print
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Julian Symons
Remembered: Tributes from Friends
collected by Jack Walsdorf & Kathleen Symons
frontispiece portrait by Rosemary Vamosi
wood engraving by Sandy Conners
The death of Julian Symons in November, 1994 marked the passing
of one of England's most respected men of letters. This collection
of tributes was printed from Perpetua on Rives, a French mouldmade
paper and bound by Campbell-Logan Binders into cloth and marble
paper cases. 24 pp. 225 numbered copies. $60.00
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Sandy
MacPherson: Book Collector
by Newman Levy
linocuts by Bill Jackson
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The Colophon tells us: "This is probably
the fifth edition . . . . The Original appears to have been published
in the Quarto Club Paper in 1928. Philip Duchnes, the book dealer,
published two editions in 1933 and 1940. In 1997 the Roxburghe
Club of San Francisco and the Zamorano Club of Los Angeles produced
a facsimile edition of 100 copies of the 1933 edition." Set
in Poliphilus type and illustrated with eight linocuts. (Two are
2-color.) Case bound by Campbell-Logan in metallic paste
papers with Japanese linen cloth spine. Label on the spine. 16
pages. 7 1/4 x 4 1/8 inches. 150 copies 1998 $35.00 |
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Please note: The number of copies listed is the number printed,
not the number in stock.
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