Preacher, Shepherd, Judge: The Role of the Outlaw Prophet in American Film

 by Heather Clements
Department of Theology and Philosophy
Haggard School of Theology
Azusa Pacific University

Notes

1. Ostwalt, C. E., Jr., 1995, “ Hollywood and Armageddon: Apocalyptic Themes in Recent Cinematic Presentation.” Screening the Sacred: Religion, Myth and Ideology in Popular American Film. Martin, J. W. and Ostwalt, C. E., Jr., ed. Boulder CO: Westview, 55.

2. Reiher, P., 2000, “Movie Reviews: Pale Rider.” http://ficus-www.cs.ucla.edu/ project-members/ reiher/ reviews/ pale.html . April 16.

3. Heumann, J. K., and Murray, R. L., 2004, “Pale Rider: Environmental politics, Eastwood style.” Jump Cut: A Review of Contemporary Media 47. http://www.ejumpcut.org/archive/jc47.2005/palerider/text.html.

4. Rasmussen, C., 1999, “ San Gabriel Left a Mark on Roy Bean.” San Bernardino County Sun. December 15, A3.

5. Green, D., 2000, Review: The Life and Times of Judge Roy Bean.” <http://www.laserrot.com/ldreviews/us/l/11174.html.> April 16.

6. Stayton, R., 2006, “A Barbarian Inside the Gates: Back to the Golden Rule Days with John Milius.” Written By: The Magazine of the Writers Guild of America, West (October). http://www.wga.org/writtenby/writtenbysub.aspx?id=2239.

7. Quentin Tarantino, Q., 1994, Pulp Fiction. Miramax.

8. Ebert, R. 2000, “Secrets of Pulp Fiction.” <http://www.moviescripts.de/pf_secrets.html>. April 16.

9. Terkla, D. and Reed, T. L., Jr., 2000, "I'm gonna git Medieval on your ass": Pulp Fiction for the 90s--the 1190s.” Studies in Popular Culture 1997. <http://www.mtsu.edu/~english/terkla.htm>. April 16.