The Journal of Religion and Film Film Index Click on a film title to see its credits. Click here to review sources for the credits

A

A.I. Artificial Intelligence

• Robot Heavens and Robot Dreams: Ultimate Reality in A.I. and Other Recent Films (7,2)
• Film Review: A.I.: Artificial Intelligence (6,1)

About Schmidt

• Native American Religion and Film: Interviews with Chris Eyre and Sherman Alexie (7,1)
• Film Review: About Schmidt (7, 1)

Abraham's Children: Interviews with Jews, Christians, and Muslims in a Midwest College Town

• Using 'Homemade' Documentary Video in Religious Studies (1,2)

Ace Ventura: Pet Detective

• Religion and Violence in Popular Film (3,1)

Ace Ventura: When Nature Calls

• Religion and Violence in Popular Film (3,1)

The Acts of the Apostles (Atti degli apostoli)

• Cinema and Theology: The Case of Heaven Over Marshes (6,2)

Adam's æbler (Adam's Apple)

• Report from Sundance 2006: Religion in Independent Film (10,1)

Adaptation

• Eternal Sunshine of the Spotless Mind and the Question of Transcendence (9,1)
• Film Review: Enternal Sunshine of the Spotless Mind (9, 1)
• Robot Heavens and Robot Dreams: Ultimate Reality in A.I.and Other Recent Films (7,2)

The Addams Family

• Religion and Violence in Popular Film (3,1)

Admirational

• Report from Sundance2003: Religion in Independent Film (7, 1)

After Life

• Report from Sundance 1999: Religion in Independent Film (3,1)

Agnes of God

• Book Review: Teaching Religion and Film
• Editorial (2,1)
• Editorial (1,2)

Air Force One

• From Navy Seals to The Siege: Getting to Know the Muslim Terrorist, Hollywood Style (9,2)
• Religion and Violence in Popular Film (3,1)

Akira Kurowawa's Dreams (Yume)

• Robot Heavens and Robot Dreams: Ultimate Reality in A.I. and Other Recent Films (7, 2)

Al di là del bene e del male (Beyond Good and Evil)

• Eternal Sunshine of the Spotless Mind and the Question of Transcendence (9,1)

Aladdin

• From Navy Seals to The Siege: Getting to Know the Muslim Terrorist, Hollywood Style (9,2)
• Religion and Violence in Popular Film (3,1)

Alias Nick Beal

• "Angels Carrying Savage Weapons”: Uses of the Bible in Contemporary Horror Films (7,2)

Alien

• Book Review: Screening the Sacred: Religion, Myth, and Ideology in Popular American Film
• To Commend or to Critique? The Question of Religion and Film Studies (1,2)

Aliens

• Book Review: Screening the Sacred: Religion, Myth, and Ideology in Popular American Film
• To Commend or To Critique? The Question of Religion and Film Studies (1,2)

All About My Mother (Todo Sobre Mi Madre)

• Fecundity and Almodóvar? Sexual Ethics and the Specter of Catholicism (10, 2)

All That Jazz

• Images of God in the Movies (1,1)

Altman, Robert

Short Cuts

• Magnolia and the Signs of the Times: A Theological Reflection (4,2)
• Report from Sundance 1999: Religion in Independent Film (3,1)

Always

• Images of God in the Movies (1,1)

Amadeus

• The Story Behind Yakoana: an interview with Anh Crutcher (3,1)
• Mozart & Salieri, Cain & Abel: A Cinematic Transformation of Genesis 4 (1,1)

Ameerka

• Report from Sundance 2009: Religion in Independent Film (13, 1)

American Beauty

• Review: Constantine (9,1)
• "Beautiful Necessities": American Beauty and the Idea of Freedom (6,2)

American Gigolo

• Book Review: Filmgoer's Guide to God
• Cinematic Illustrations in Christian Theology (6,2)
• The Ties That Bind and Bless the Soul: Grace and Noir in Schrader's Light Sleeper (2,2)

American History X

• Film Review: Keeping the Faith (4,2)

Amistad

• Scripture on the Silver Screen (3,1)

Americanization: The Problem of the Hour

• To “Elevate Unfortunate Humanity”On-screen: Linking World War I and Protestant Missions through Silent Film (12, 2)

Amongst White Clouds

• Film Review: Amongst White Clouds (12, 2)

Andrei Rublev

• Jesus Christ, Superstar? Why the Gospels Don’t Make Good Movies (12, 2)
• Andrei Rublev: Religious Epiphany in Art (3,2)

Ang Pagdadalaga ni Maximo Oliveros (The Blossoming of Maximo Oliveros)

• Report from Sundance 2006: Religion in Independent Film (10,1)

Angel-A

• Report from Sundance 2007: Religion in Independent Film (11, 1)

Angel Heart

• The Devil We Already Know: Medieval Representations of a Powerless Satan in Modern American Cinema (8,2)

An Angel at my Table

• Film Review: Holy Smoke [Makarushka] (4,2)

Angelo, My Love

• Biography: Robert Duvall (2,1)

Angels in the Outfield

• Teaching Religion and Film (2,3)

Angels with Dirty Faces

• Cinema and Theology: The Case of Heaven Over Marshes (6,2)

Another 48 Hours

• Religion and Violence in Popular Film (3,1)

Antwone Fisher

• Film Review: Antowne Fisher (7, 1)

Antz

• Religion and Violence in Popular Film (3,1)

Anything Else

• Film Review: Anything Else (8, 1)

Aparajito

• Book Review: Imag(in)ing Otherness: Filmic Visions of Living Together

Apocalypse Now

• Archetypes on Screen: Odysseus, St. Paul, Christ and the American Cinematic Hero and Anti-Hero (9,1)
• Biography: Robert Duvall (2,1)
• Book Review: Screening the Sacred: Religion, Myth, and Ideology in Popular American Film
• Visions of the End. Secular Apocalypse in Recent Hollywood Film (2,1)

Apollo 13

• Anti-Feminism in Recent Apocalyptic Film (4,1)
• Religion and Violence in Popular Film (3,1)

The Apostle

• Biblical Allusions, Biblical Illusions: Hollywood Blockbuster and Scripture (8, Special Issue 1)
• Black Song, White Song: Salvation Through The Radio in The Apostle and Oh Brother, Where Art Thou? (6,2)
• The Apostle: A Psychiatric Appraisal (3,2)
• Editorial (3, 2)
• Scripture on the Silver Screen (3,1)
• Report from Sundance 1999: Religion in Independent Film (3,1)
• Editorial (2,3
• The Apostle: An Interview with Robert Duvall (2,1)
• Editorial (2,1)

• Report from Sundance 2009: Religion in Independent Film (13, 1)

Armageddon

• Age before Beauty: A Comparative Study of Martyrs in American Disaster Movies and Their Medieval Predecessors (11, 1)
• A Community of Characters – the Narrative Self in the Films of Wes Anderson (9,2)
• Book Review: Zwischen Fiktionalität und Kritik: Die Aktualität apokalyptischer Motive als Herausforderung theologischer Hermeneutik (Between Fictionalizing and Criticism: the Topicality of Apocalyptic Motives as a Challenge to Theological Hermeneutics)
• Bruce Willis as the Messiah: Human Effort, Salvation and Apocalypticism in Twelve Monkeys (4,1)
• Anti-Feminism in Recent Apocalyptic Film (4,1)
• Apocalyptic Visions (4,1)
• Armageddon at the Millenial Dawn (4,1)
• Religion and Violence in Popular Film (3,1)
• Scripture on the Silver Screen (3,1)

Armour of the God II (Operation Condor)

• From Navy Seals to The Siege: Getting to Know the Muslim Terrorist, Hollywood Style (9,2)

Army of Shadows (L'Armée des ombres)

• Book Review: Filmgoer's Guide to God

Asoka

• Film Review: Spring, Summer, Fall, Winter... and Spring (Bom yeoreum gaeul gyeoul geurigo bom) (9,2)

As Good as It Gets

• Religion and Violence in Popular Film (3,1)

Atanarjuat (The Fast Runner)

• Film Review: Atanarjuat (The Fast Runner) (6,2)

Attack of the Clones (Star Wars: Episode II)

• Discussion Topic 6: God and "the Force" - Star Wars
• Any Gods Out There? Perceptions of Religion from Star Wars and Star Trek (7, 2)

Atonement

• Film Review: Atonement (11, 2)

Atti degli apostoli (The Acts of the Apostles)

• Cinema and Theology: The Case of Heaven Over Marshes (6,2)

Au hazard Balthazar (Balthazar)

• Book Review: Filmgoer's Guide to God
• Rosetta Stone: A Consideration of the Dardenne Brothers' Rosetta (6,1)

Aurat (Woman)

• Book Review: Mother India

Australia

• Film Review: Australia (13, 1)

Autumn in New York

• Found in Translation: From Hollywood Hits to Bollywood Blockbusters (11, 2)

Away from Her

• Report from Sundance 2007: Religion in Independent Film (11, 1)

Back to Top

B

Babette's Feast

• Book Review: Finding Meaning at the Movies
• Scripture on the Silver Screen (3,1)
• Religion and Film: Capturing the Imagination (2,3)
• Jesus in Film: Hollywood Perspectives on the Jewishness of Jesus (2,2)
• Book Review: Imag(in)ing Otherness: Filmic Visions of Living Together
• Editorial (2,1)
• Kierkegaard at Babette's Feast: The Return to the Finite (1,2)
• Babette's Feast: A Religious Film (1,2)
• Images of God in the Movies (1,1)

Baby Boom

• To Commend or to Critique?  The Question of Religion and Film Studies (1,2)

Bacheha-Ye aseman (Children of Heaven)

• Majid Majidi and New Iranian Cinema (12, 1)

Back to the Future, Part III

• Religion and Violence in Popular Film (3,1)

• Religion and Violence in Popular Film (3,1)

Badkonake sefid (The White Balloon)

• Majid Majidi and New Iranian Cinema (12, 1)

Bad Education (La Mala Educación)

• Fecundity and Almodóvar? Sexual Ethics and the Specter of Catholicism (10, 2)

Bad Lieutenant

• Jesus Christ, Superstar? Why the Gospels Don’t Make Good Movies (12, 2)
• 'It all happens here:' Locating Salvation in Abel Ferrara's Bad Lieutenant (7,1)

Badge 373

• Biography: Robert Duvall (2,1)

Bajo California. El Limite del Tiempo

• Report from Sundance 1999: Religion in Independent Film (3,1)

Balthazar (Au hazard Balthazar)

• Book Review: Filmgoer's Guide to God (9, 2)

Bandits

• Film Review: Bandits (6,1)

Barabbas

• Jesus Christ, Superstar? Why the Gospels Don’t Make Good Movies (12, 2)

Baran

• Majid Majidi and New Iranian Cinema (12, 1)

Barking Water

• Report from Sundance 2009: Religion in Independent Film (13, 1)

Barry Lyndon

• The Dharma Blues (6,1)

Barton Fink

• That “Barton Fink Feeling” and the Fiery Furnace: The Book of Daniel and Joel and Ethan Coen’s Barton Fink (12, 1)

Basic Instinct

• Revisiting Violence in The Godfather: The Ambiguous Space of the Victimage Model (9,2)
• Symbolic Power and Religion Impotence in Paul Verhoeven's Spetters (7,2)
• Religion and Violence in Popular Film (3,1)

Batman and Robin

• Religion and Violence in Popular Film (3,1)

Batman Forever

• Religion and Violence in Popular Film (3,1)

Batman Returns

• Religion and Violence in Popular Film (3,1)

The Battle for the Minds

• Editorial (2,1)

Be Like Others

• Report from Sundance 2008: Religion in Independent Film (21, 1)

Beauty and the Beast

• Book Review: Teaching Religion and Film
• Religion and Violence in Popular Film (3,1)

Bedazzled

• The Devil We Already Know: Medieval Representations of a Powerless Satan in Modern American Cinema (8,2)

Before the Devil Knows You're Dead

• Film Review: Before the Devil Knows You'e Dead (12, 1)

Before Tomorrow

• Report from Sundance 2009: Religion in Independent Film (13, 1)

Behold the Man (Golgotha )

• Cinema and Theology: The Case of Heaven Over Marshes (6,2)

Being John Malkovich

• Eternal Sunshine of the Spotless Mind and the Question of Transcendence (9,1)
• Film Review: Eternal Sunshine of the Spotless Mind (9, 1)
• Robot Heavens and Robot Dreams: Ultimate Reality in A.I. and Other Recent Films (7,2)

Being There

• Scripture on the Silver Screen (3,1)

The Believer

• Film Review: The Believer (7, 2)

Belizaire the Cajun

• Biography: Robert Duvall (2,1)

The Bells of St. Mary's

• Any Gods Out There? Perceptions of Religion from Star Wars and Star Trek (7,2)
• From Peepshow to Prayer: Toward a Spirituality of the Movies (6,2)
• Cinema and Theology: The Case of Heaven Over Marshes (6,2)

Bend It Like Beckham

• Film Review: Bend It Like Beckham (7, 1)

Ben-Hur

• Passion-ate Moments in the Jesus Film Genre (8, Special Issue 1)
• Any Gods Out There? Perceptions of Religion from Star Wars and Star Trek (7, 2)
• From Peepshow to Prayer: Toward a Spirituality of the Movies (6,2)
• Celluloid Savior: Jesus in the Movies (6,2)
• The Messianic Figure in Film: Christology Beyond the Biblical Epic (2,2)

Beowulf

• Preacher, Shepherd, Judge: The Role of the Outlaw Prophet in American Film (12,2)

The Betsy

• Biography: Robert Duvall (2,1)

Between

• Report from Sundance 2005: Religion in Independent Film (9,1)

Beyond Good and Evil (Al di là del bene e del male)

• Eternal Sunshine of the Spotless Mind and the Question of Transcendence (9,1)
• Film Review: Eternal Sunshine of the Spotless Mind (9, 1)

Bhagwat Geeta (Bhagvad Gita: Song of the Lord)

• The Dharma Blues (6,1)

Bharat Mata (Mother India)

• Book Review: Mother India

Big Fish

• Film Review: Big Fish (8, 1)

Bill & Ted's Bogus Journey

• Robot Heavens and Robot Dreams: Ultimate Reality in A.I. and Other Recent Films (7,2)

Billu

• Film Review: Billu (13, 2)

Billy Elliot

• Still Crazy: An Unsung Homage to the New Testament (8,2)

Bird on a Wire

• Religion and Violence in Popular Film (3,1)

The Birdcage

• Religion and Violence in Popular Film (3,1)

The Birds

• The Rapture: A Challenging Vision of Horror (1,1)

The Birth of a Nation

• The Birth of a Nation as American Myth (8,2)
• To Commend or To Critique? The Question of Religion and Film Studies (1,2)

The Birth of a Race

• The Birth of a Nation as American Myth (8,2)

Bis ans Ende der Welt (Until the End of the World)

• Seeing Beyond the End of the World in Strange Days and Until the End of the World (7,1)

Black Narcissus

• From Peepshow to Prayer: Toward a Spirituality of the Movies (6,2)

Blade Runner

• Book Review: Finding Meaning at the Movies
• Knowledge and Mortality in Blade Runner and Genesis 2-3 (9,2)
• Robot Heavens and Robot Dreams: Ultimate Reality in A.I. and Other Recent Films (7,2)
• Seeing Beyond the End of the World in Strange Days and Until the End of the World (7,1)
• From Holy Aliens to Cyborg Saviours: Biblical Subtexts in Four Science Fiction Films (5,2)
• Buddhism, Christianity, and The Matrix: The Dialectic of Myth-Making in Contemporary Cinema (4,2)
• Apocalyptic Visions (4,1)
• Scripture on the Silver Screen (3,1)
• Apocalyptic Visions - Beyond Corporeality (2,3)
• Editorial (2,3)
• Religion and Film: Capturing the Imagination (2,3)

Blast from the Past

• Biblical Allusions, Biblical Illusions: Hollywood Blockbuster and Scripture (8, Special Issue 1)

Blazing Saddles

• Anti-Feminism in Recent Apocalyptic Film (4,1)

• Memory and Responsibility: An Interview with Margarethe von Trotta on Rosenstrasse (12, 1)

Blessed Art Thou

• Report from Sundance 2000: Religion in Independent Film (4,1)

Blind Chance

• Film Review: Lovers of the Arctic Circle (3,2)

Blood Simple

• Book Review: Screening the Sacred: Religion, Myth, and Ideology in Popular American Film

Blood Wedding(Gael Garcia Bernal)

• Fecundity and Almodóvar? Sexual Ethics and the Specter of Catholicism (10, 2)

The Blossoming of Maximo Oliveros (Ang Pagdadalaga ni Maximo Oliveros)

• Report from Sundance 2006: Religion in Independent Film (10,1)

Blue

• Scripture on the Silver Screen (3,1)

Blue Velvet

• The Story Behind Yakoana: an interview with Anh Crutcher (3,1)
• Book Review: Screening the Sacred: Religion, Myth, and Ideology in Popular American Film
• Religion and Popular Movies (2,3)

The Body

• " Angels Carrying Savage Weapons”: Uses of the Bible in Contemporary Horror Films (7,2)

Bodyguard

• Religion and Violence in Popular Film (3,1)

The Bodyguard 2

Bom yeoreum gaeul gyeoul geurigo bom (Spring, Summer, Fall, Winter... and Spring)

• Film Review: Bom yeoreum gaeul gyeoul geurigo bom (Spring, Summer, Fall, Winter... and Spring) (9,2)

Boogie Nights

• Magnolia and the Signs of the Times: A Theological Reflection (4,2)

Book of Life

• Book Review: Zwischen Fiktionalität und Kritik: Die Aktualität apokalyptischer Motive als Herausforderung theologischer Hermeneutik (Between Fictionalizing and Criticism: the Topicality of Apocalyptic Motives as a Challenge to Theological Hermeneutics)

Boomerang

• Religion and Violence in Popular Film (3,1)

Boondock Saints

• Biblical Allusions, Biblical Illusions: Hollywood Blockbuster and Scripture (8, Special Issue 1)

Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan

• Borat and Anti-Semitism (12, 1)

Born on the Fourth of July

• It’s Not Just a Job, It’s a Calling: The Redemption of Soldiering as Religious Vocation in Saving Private Ryan (10, 2)

Bottle Rocket

• A Community of Characters – the Narrative Self in the Films of Wes Anderson (9,2)

The Bourne Ultimatum

• Film Review: The Bourne Ultimatum (11, 2)

The Bourne Supremacy

• Film Review: The Bourne Ultimatum (11, 2)

Bowfinger

• Film Review: Bowfinger (4,1)

The Boy in the Striped Pyjamas

• Film Review: The Boy in the Striped Pyjamas (13, 1)

Boys Town

• Cinema and Theology: The Case of Heaven Over the Marshes (6,2)

Bram Stoker's Dracula

• Religion and Violence in Popular Film (3,1)

Brassed Off

• Fantasy Verses Redemption: Religious Possibility in Little Voice (4,2)

Braveheart

• Borat and Anti-Semitism (12, 1)
• Religion and Violence in Popular Film (3,1)

Brazil

• Seeing Beyond the End of the World in Strange Days and Until the End of the World (7,1)
• Visions of the End. Secular Apocalypse in Recent Hollywood Film (2,1)

Breaking the Waves

• Donnie Darko and the Messianic Motif (13, 2)
• Film Review: Dogville (9,1)
• Blessed Broken Bodies: Exploring Redemption in Central Station and Breaking the Waves (8,1)
• Bess The Christ Figure?: Theological Interpretations of Breaking the Waves (5,1)
• Editorial (4,2)
• Seeing and Being: Distinctively Filmic and Religious Elements in Film (3,2)
• Editorial (3, 2)
• Report from Sundance 1999: Religion in Independent Film (3,1)
• Book Review: Imag(in)ing Otherness: Filmic Visions of Living Together
• The End of Desire: Theologies of Eros in the Song of Songs and Breaking the Waves (2,1)
• Transgressing Goodness in Breaking the Waves (2,1)
• Editorial (2,1)

Breakout

• Biography: Robert Duvall (2,1)

The Bridges of Madison County

• Religion and Violence in Popular Film (3,1)

Bridget Jones' Diary

• Still Crazy: An Unsung Homage to the New Testament (8,2)

A Brief History of Time

• Report from Sundance 1999: Religion in Independent Film (3,1)

Brigham City

• Book Review: Teaching Religion and Film

Bringing Out the Dead

• Bringing out the Meaning: Deacy, Nolan, Scorsese, and what films 'mean' (13, 2)

Bronco Billy

• Book Review: Reading the Gospels in the Dark: Portrayals of Jesus in Film
• To Commend or To Critique? The Question of Religion and Film Studies (1,2)

The Brother From Another Planet

• Anti-Feminism in Recent Apocalyptic Film (4,1)

Brother Sun, Sister Moon

• Teaching Religion and Film (2,3)

Bruce Almighty

• Film Review: Bruce Almighty (7,2)

A Bug's Life

• Religion and Violence in Popular Film (3,1)

Bugmaster

• Report from Sundance 2007: Religion in Independent Film (11, 1)

The Business of Fancy Dancing

• Native American Religion and Film: Interviews with Chris Eyre and Sherman Alexie (7,1)

Back to Top

C

Cape Fear

• Religion and Violence in Popular Film (3,1)

Captain Newmanm M.D.

• Biography: Robert Duvall (2,1)

Capturing Friedmans

• Report from Sundance 2003: Religion in Independent Film (7,1)

Caravan

• Film Review: Spring, Summer, Fall, Winter... and Spring (Bom yeoreum gaeul gyeoul geurigo bom) (9,2)

Carne Trémula (Live Flesh)

• Fecundity and Almodóvar? Sexual Ethics and the Specter of Catholicism (10, 2)

Carrie

• "Angels Carrying Savage Weapons”: Uses of the Bible in Contemporary Horror Films (7,2)

Carrie (TV)

• "Angels Carrying Savage Weapons”: Uses of the Bible in Contemporary Horror Films (7,2)

Cathy Tippel

• Symbolic Power and Religion Impotence in Paul Verhoeven's Spetters (7,2)

Casper

• Religion and Violence in Popular Film (3,1)

Cast Away

• Searches for the Significant: Robert Zemeckis' Cast Away as a Late Twentieth Century Response to Daniel Defoe's Robinson Carusoe (9,1)
• Castaway and Cast Away: Colonial, Imperial, and Religious Discourses in Daniel Defoe and Robert Zemeckis (9,1)

The Castle

• Film Review: Holy Smoke (Pannell) (4,2)

Celebrating the Prophet in the Remembrance of God: Sufi Dhikr in Egypt

• Ritual, Music, Sociability and Censure: Making a Film on Sufi 'DHIKR' in Egypt (2,1)

The Cell

• Film Review: The Cell (4,2)
• Editorial (4,2)

Central Station (Central do Brasil)

• Blessed Broken Bodies: Exploring Redemption in Central Station and Breaking the Waves (8,1)
• Faith and the Absent Savior in Central Station (5,1)

Chariots of Fire

• Book Review: Hollywood Worldviews: Watching Films With Wisdom & Discernment

The Chase

• Biography: Robert Duvall (2,1)

Chasing Buddha

• Report from Sundance 2000: Religion in Independent Film (4,1)

Children of God: Lost and Found

• 2007 Slamdance Film Festival Report (11, 1)

Children of the Corn

• "Angels Carrying Savage Weapons”: Uses of the Bible in Contemporary Horror Films (7,2)

Children of Heaven (Bacheha-Ye aseman)

• Book Review: Teaching Religion and Film
• Majid Majidi and New Iranian Cinema (12, 1)

Children of Men

• Children of Men and a Plural Messianism (13, 1)

China

• To “Elevate Unfortunate Humanity”On-screen: Linking World War I and Protestant Missions through Silent Film (12, 2)

Chocolat

• Film Review: Chocolat (5,1)

The Chosen

• Report from Sundance 2003: Religion in Independent Film (7, 1)

Chori Chori Chupke Chupke

• Found in Translation: From Hollywood Hits to Bollywood Blockbusters (11, 2)

A Christmas Carol

• Book Review: Finding Meaning at the Movies

Christus

• Passion-ate Moments in the Jesus Film Genre (8, Special Issue 1)

Chrystal

• Report from Sundance 2004: Religion in Independent Film (8,1)

Cielo sulla palude (Heaven over the Marshes)

• Cinema and Theology: The Case of Heaven Over Marshes (6,2)

City of Dreams

• Report from Sundance 1999: Religion in Independent Film (3,1)

City Slickers

• Religion and Violence in Popular Film (3,1)

The Clay Bird (Matir Moina)

• Film Review: Matir Moina (The Clay Bird) (7, 1)

Clear and Present Danger

• Religion and Violence in Popular Film (3,1)

Cleopatra

• From Peepshow to Prayer: Toward a Spirituality of the Movies (6,2)

The Client

• Religion and Violence in Popular Film (3,1)

Cliffhanger

• Religion and Violence in Popular Film (3,1)

Clochemerle (The Scandals of Clochermerle)

• Cinema and Theology: The Case of Heaven Over Marshes (6,2)

A Clockwork Orange

• The Messianic Figure in Film: Christology Beyond the Biblical Epic (2,2)

Close Encounters of the Third Kind

• Epiphany of the Throne-Chariot: Merkabah Mysticism and the Film Contact (9,1)
• Teaching Religion and Film (2,3)
• Religious Faith and Science in Contact (2,2)

Clueless

• Being True to the Text: From Genesis to Harry Potter (12, 2)
• Still Crazy: An Unsung Homage to the New Testament (8,2)

Cocoon

• Anti-Feminism in Recent Apocalyptic Film (4,1)
• Report from Sundance 1999: Religion in Independent Film (3,1)

Cold Souls

• Report from Sundance 2009: Religion in Independent Film (13, 1)

Colors

• Biography: Robert Duvall (2,1)

Come to the Stable

• From Peepshow to Prayer: Toward a Spirituality of the Movies (6,2)

The Commitments

• Still Crazy: An Unsung Homage to the New Testament (8, 2)

The Commandments (TV)

• Film and the Apologetics of Biblical Violence (13, 1)

ConAir

• Religion and Violence in Popular Film (3, 1)

Conquest of the Planet of the Apes

• Film Review: Planet of the Apes (5, 2)

Coneheads

• Scripture on the Silver Screen (3,1)

Confessions of a Dangerous Mind

• Eternal Sunshine of the Spotless Mind and the Question of Transcendence (9,1)
• Film Review: Enternal Sunshine of the Spotless Mind (9, 1)

Congo

• Religion and Violence in Popular Film (3,1)

Conspiracy Theory

• History, Hollywood, and the Bible: Some Thoughts on Gibson's Passion (8, Special Issue 1)
• Religion and Violence in Popular Film (3,1)

Constantine

• Film Review: Constantine (9,1)

Contact

• Book Review: Teaching Religion and Film
• Book Review: Finding Meaning at the Movies
• Epiphany of the Throne-Chariot: Merkabah Mysticism and the Film Contact (9,1)
• Robert Zemeckis's Contact as a Late-Twentieth Century Paradiso (5, 2)
• Editorial (5,2)
• Anti-Feminism in Recent Apocalyptic Film (4,1)
• Apocalyptic Visions (4,1)
• Armageddon at the Millenial Dawn (4,1)
• Religion and Violence in Popular Film (3,1)
• Report from Sundance 1999: Religion in Independent Film (3,1)
• Religious Faith and Science in Contact (2,2)
• Editorial (2,1)

The Conversation

• Biography: Robert Duvall (2,1)

Conversion

• Report from Sundance 2007: Religion in Independent Film (11, 1)

Convicts

• Biography: Robert Duvall (2,1)

Cookie's Fortune

• Report from Sundance 1999: Religion in Independent Film (3,1)

Cool Hand Luke

• Donnie Darko and the Messianic Motif (13, 2)
• Scripture on the Silver Screen (3,1)
• The Messianic Figure in Film: Christology Beyond the Biblical Epic (2,2)

Cool Runnings

• Religion and Violence in Popular Film (3,1)

The Countdown

• Biography: Robert Duvall (2,1)

The Courage to Care

• Borat and Anti-Semitism (12, 1)

Courage Under Fire

• Discussion: Religion, Theology and Film in a Post-Modern Age
• Lyden/Marsh Discussion (Religion, Film and Postmodernity)

Cows

• Film Review: Lovers of the Arctic Circles (3,2)

Crash

• Film Review: Crash (9,2)

Cries & Whispers

• Book Review: Finding Meaning at the Movies
• Editorial (2,1)

The Crime of Father Amaro (El Crimen del Padre Amaro)

• Film Review: The Crime of Father Amaro (8, 1)

Crimson Tide

• Religion and Violence in Popular Film (3,1)

Crossfire

• 'The Ties That Bind and Bless the Soul': Grace and Noir in Schrader's Light Sleeper (2,2)

Crossing Delancey

• Redressing Jewish Difference in Tania Modleski's 'Cinema and the Dark Continent' (1,2)

Crouching Tiger, Hidden Dragon

• Portraying the Quest for Buddhist Wisdom?: A Comparative Study of The Matrix and Crouching Tiger, Hidden Dragon (10,1)
• When The Master Is Not Master: The Critique of Enlightenment in Ang Lee's Crouching Tiger, Hidden Dragon (7,2)
• Film Review: Crouching Tiger, Hidden Dragon (5,1)

The Crucible

• Film Review: Spring, Summer, Fall, Winter... and Spring ( Bom yeoreum gaeul gyeoul geurigo bom) (9,2)

Crude

• Report from Sundance 2009: Religion in Independent Film (13, 1)

The Crying Game

• Religion and Violence in Popular Film (3,1)

The Cup

• Film Review: Spring, Summer, Fall, Winter... and Spring ( Bom yeoreum gaeul gyeoul geurigo bom) (9,2)
• Report from Sundance 2000: Religion in Independent Film (4,1)

The Curious Case of Benjamin Button

• Film Review: The Curious Case of Benjamin Button (13, 1)

Back to Top

D

Dancer in the Dark

• Film Review: Dogville (9,1)
• Film Review: Dancer in the Dark (4,2)
• Editorial (4,2)

Dances With Wolves

• Native American Religion and Film: Interviews with Chris Eyre and Sherman Alexie (7,1)
• Religion and Violence in Popular Film (3,1)
• Religion and Popular Movies (2,3)

Dangerous Minds

• Religion and Violence in Popular Film (3,1)

Dante's Peak

• Age before Beauty: A Comparative Study of Martyrs in American Disaster Movies and Their Medieval Predecessors (11, 1)

Daredevil

• Film Review: Daredevil (7,1)

Dark City

• Robot Heavens and Robot Dreams: Ultimate Reality in A.I. and Other Recent Films (7,2)

The Dark Knight

• The Joker Is Satan, and So Are We: Girard and The Dark Knight (13, 1)
• Film Review: The Dark Knight (12, 2)

Dark Passage

• 'The Ties That Bind and Bless the Soul': Grace and Noir in Schrader's Light Sleeper (2,2)

Daughters of the Dust

• Book Review: Finding Meaning at the Movies
• To Commend or To Critique? The Question of Religion and Film Studies (1,2)

Dave

• Religion and Violence in Popular Film (3,1)

David and Bathsheba

• From Peepshow to Prayer: Toward a Spirituality of the Movies (6,2)

Dawn of the Dead

• Film Review: Land of the Dead (9,2)

The Day After

• Seeing Beyond the End of the World in Strange Days and Until the End of the World (7,1)

The Day After Tomorrow

• Age before Beauty: A Comparative Study of Martyrs in American Disaster Movies and Their Medieval Predecessors (11, 1)

Day of the Dead

• Film Review: Land of the Dead (9,2)

Day of Wrath (Vredens dag)

• Film Review: Spring, Summer, Fall, Winter... and Spring (Bom yeoreum gaeul gyeoul geurigo bom) (9,2)

The Day the Earth Stood Still

• Intellects vast and cool and unsympathetic: Science, Religion, and The War of the Worlds Part II (11, 2)
• Intellects vast and cool and unsympathetic: Science, Religion, and The War of the Worlds Part I (11, 1)
• "The Day the Earth Stood Still”: 1950's Sci-Fi, Religion and the Alien Messiah (9,2)
• Robot Heavens and Robot Dreams: Ultimate Reality in A.I. and Other Recent Films (7,2)
• From Holy Aliens to Cyborg Saviours: Biblical Subtexts in Four Science Fiction Films (5,2)
• Teaching Religion and Film (2,3)

The Day I Became a Woman

• Film Review: In this World (8, 1)

Days of Thunder

• Religion and Violence in Popular Film (3,1)
• Biography: Robert Duvall (2,1)

The Day of the Triffids

• Intellects vast and cool and unsympathetic: Science, Religion, and The War of the Worlds Part II (11, 2)
• Intellects vast and cool and unsympathetic: Science, Religion, and The War of the Worlds Part I (11, 1)

Dead Man

• Dead Men Don’t Lie: Sacred Texts in Jim Jarmusch’s Dead Man and Ghost Dog: Way of the Samurai (12, 2)
• 'It all happens here:' Locating Salvation in Abel Ferrara's Bad Lieutenant (7,1)
• Archetypes on Screen: Odysseus, St. Paul, Christ and the American Cinematic Hero and Anti-Hero (9,1)
• Book Review: Imag(in)ing Otherness: Filmic Visions of Living Together
• Film Review: Ghost Dog: The Way of the Samurai (4,2)
• Editorial (2,3)
• Jesus in Film: Hollywood Perspectives on the Jewishness of Jesus (2,2)

Dead Man Walking

• Book Review: Teaching Religion and Film
• Archetypes on Screen: Odysseus, St. Paul, Christ and the American Cinematic Hero and Anti-Hero (9,1)
• 'It all happens here:' Locating Salvation in Abel Ferrara's Bad Lieutenant (7,1)
• From Peepshow to Prayer: Toward a Spirituality of the Movies (6,2)
• Scripture on the Silver Screen (3,1)
• Religion and Film: Capturing the Imagination (2,3)
• Religion and Popular Movies (2,3)
• Editorial (2,3)
• Jesus in Film: Hollywood Perspectives on the Jewishness of Jesus (2,2)

Dead Poet's Society

• The Messianic Figure in Film: Christology Beyond the Biblical Epic (2,2)

Dead Snow

• Film Review: Dead Snow (13, 1)

Death in Love

• Report from Sundance 2008: Religion in Independent Film (12, 1)

Decalogue (Dekalog)

• From "The Ten Commandments" to the Decalogue (7,1)

Deep Impact

• Age before Beauty: A Comparative Study of Martyrs in American Disaster Movies and Their Medieval Predecessors (11, 1)
• Biblical Allusions, Biblical Illusions: Hollywood Blockbuster and Scripture (8, Special Issue 1)
• Anti-Feminism in Recent Apocalyptic Film (4,1)
• Apocalyptic Visions (4,1)
• Armageddon at the Millenial Dawn (4,1)
• Biography: Robert Duvall (2,1)
• Religion and Violence in Popular Film (3,1)
• Scripture on the Silver Screen (3,1)

The Deer Hunter

• It’s Not Just a Job, It’s a Calling: The Redemption of Soldiering as Religious Vocation in Saving Private Ryan (10, 2)

Defending Your Life (1977)

• Robot Heavens and Robot Dreams: Ultimate Reality in A.I. and Other Recent Films (7,2)

Defending Your Life (1991)

• Robot Heavens and Robot Dreams: Ultimate Reality in A.I. and Other Recent Films (7,2)

Defiance

• Film Review: Defiance (13, 1)

Delhi 6

• Film Review: Delhi 6 (13, 2)

Dekada 70

• Film Review: Dekada 70 (8, 1)

Dekalog (Decalogue)

• From "The Ten Commandments" to the Decalogue (7,1)

Demolition Man

• Religion and Violence in Popular Film (3,1)

Der Baader-Meinhof Komplex

• Film Review: Der Baader-Meinhof Komplex (13, 2)

The Detective

• Biography: Robert Duvall (2,1)

The Devil Came on Horseback

• Report from Sundance 2007: Religion in Independent Film (11, 1)

Devil's Advocate

• From The Rapture to Left Behind: The Movie and Beyond: Evangelical Christian End Times Films from 1941 to The Present (13, 2)
• Satan’s Seductress and the Apocalyptic Hero: The Body in American Apocalyptic Films at the Turn of the Century (13, 2)
• Film Review: Constantine (9,1)
• The Devil We Already Know: Medieval Representations of a Powerless Satan in Modern American Cinema (8,2)

The Devil's Manor (Le Manoir du diable)

• The Devil We Already Know: Medieval Representations of a Powerless Satan in Modern American Cinema (8,2)

Dhakiyarr vs the King

• Report from Sundance 2005: Religion in Independent Film (9,1)

Diarios de Motocicleta (The Motorcycle Diaries)

• Film Review: The Motorcycle Diaries (Diarios de Motocicleta) (9,1)

Diary of a Country Priest (Journal d'un curé de campagne)

• Diary of a Country Priest: The Transcendent on Film(10,2)
• Book Review: Finding Meaning at the Movies
• Book Review: Filmgoer's Guide to God
• Rosetta Stone: A Consideration of the Dardenne Brothers' Rosetta (6,1)

Dick Tracy

• Religion and Violence in Popular Film (3,1)

Die Hard

• Bringing out the Meaning: Deacy, Nolan, Scorsese, and what films 'mean' (13, 2)
• Archetypes on Screen: Odysseus, St. Paul, Christ and the American Cinematic Hero and Anti-Hero (9,1)

Die Hard 2

• Religion and Violence in Popular Film (3,1)

Die Hard: With a Vengence

• Religion and Violence in Popular Film (3,1)

Dinner with the President: A Nation's Journey

• Report from Sundance 2008: Religion in Independent Film (12, 1)

Dirt! The Movie

• Report from Sundance 2009: Religion in Independent Film (13, 1)

Dirty Harry

• To Commend or To Critique? The Question of Religion and Film Studies (1, 2)

Disclosure

• Religion and Violence in Popular Film (3, 1)

District 9

• Film Review: District 9 (13, 2)

Divine Intervention

• Film Review: Divine Intervention (7, 1)

Dogma

• Film Review: Constantine (9,1)

Dogville

• Film Review: Dogville (9,1)
• Film Review: The Terminal (9,1)

Donnie Darko

• Donnie Darko and the Messianic Motif (13, 2)

Dopamine

• Film Review: Dopamine (10,1)

Double Indemnity

• 'The Ties That Bind and Bless the Soul': Grace and Noir in Schrader's Light Sleeper (2,2)

The Double Life of Veronique

• From The Ten Commandments to the Decalogue (7,1)
• Film Review: Lovers of the Arctic Circle (3,2)

Doubt

• Film Review: Doubt (12, 2)

Dr. Dolittle

• Religion and Violence in Popular Film (3, 1)

Dr. Strangelove

• Armageddon at the Millenial Dawn (4, 1)

Dreams (Yume)

• Film Review: Vajra Sky Over Tibet (11, 2)
• Robot Heavens and Robot Dreams: Ultimate Reality in A.I. and Other Recent Films (7,2)

DS9 (Star Trek: Deep Space Nine)

• Any Gods Out There? Perceptions of Religion from Star Wars and Star Trek (7, 2)

Dumb and Dumber

• Religion and Violence in Popular Film (3, 1)

Dunia

Durakovo: Village of Fools

• Report from Sundance 2008: Religion in Independent Film (12, 1)

Back to Top

E

8 Mile

• Film Review: 8 Mile (7, 1)

E.T.

• Anti-Feminism in Recent Apocalyptic Film (4,1)
• Teaching Religion and Film (2,3)

The Eagle Has Landed

• Biography: Robert Duvall (2,1)

Earth Days

• Report from Sundance 2009: Religion in Independent Film (13, 1)

East is East

• Book Review: Teaching Religion and Film

Eat Drink Man Woman

• When The Master Is Not Master: The Critique of Enlightenment in Ang Lee's Crouching Tiger, Hidden Dragon (7,2)

Eat, for This Is My Body

• Report from Sundance 2008: Religion in Independent Film (12, 1)

Edge of America

• Report from Sundance 2004: Religion in Independent Film (8,1)

EdTV

• Robot Heavens and Robot Dreams: Ultimate Reality in A.I. and Other Recent Films (7,2)

The Education of Shelby Knox

• Report from Sundance 2005: Religion in Independent Film (9,1)

Edward Scissorhands

• Book Review: Teaching Religion and Film
• Religion and Violence in Popular Film (3,1)

El Crimen del Padre Amaro (The Crime of Father Amaro)

El Inmortal

• Report from Sundance 2005: Religion in Independent Film (9,1)

El Maquinista (The Machinist)

• Film Review: The Machinist (10,1)

El Orfanto (The Orphanage)

• Book Review: Teaching Religion and Film

Elmer Gantry

• The Apostle: A Psychiatric Appraisal (3,2)
• The Apostle: An Interview with Robert Duvall (2,1)

Emma

• Being True to the Text: From Genesis to Harry Potter (12, 2)
• Still Crazy: An Unsung Homage to the New Testament (8,2)

The Empire Strikes Back (Star Wars: Episode V - The Empire Strikes Back)

• Any Gods Out There? Perceptions of Religion from Star Wars and Star Trek (7, 2)
• Reassessing the Matrix/Reloaded (7,2)
• The Apocalyptic Cosmology of Star Wars(4,1)
• Apocalyptic Visions (4,1)
• Book Review: Screening the Sacred: Religion, Myth, and Ideology in Popular American Film
• Religion and Violence in Popular Film (3,1)
• Religion and Film: Capturing the Imagination (2,3)
• Religion & Popular Movies (2,2)
• To Commend or To Critique? The Question of Religion and Film Studies (1,2)

End of Days

• From The Rapture to Left Behind: The Movie and Beyond: Evangelical Christian End Times Films from 1941 to The Present (13, 2)
• Satan’s Seductress and the Apocalyptic Hero: The Body in American Apocalyptic Films at the Turn of the Century (13, 2)
• Seeing Beyond the End of the World in Strange Days and Until the End of the World (7,1)
• The Devil We Already Know: Medieval Representations of a Powerless Satan in Modern American Cinema (8,2)
• Faith and the Absent Savior in Central Station (5,1)

End of Evangelion: Air/Sincerely Yours (Neon Genesis Evangelion: The End of Evangelion;, Shin seiki Evangelion Gekijô-ban: Air/Magokoro wo, kimi ni, )

• Robot Heavens and Robot Dreams: Ultimate Reality in A.I. and Other Recent Films (7, 2)

Enemies of Happiness

• Report from Sundance 2007: Religion in Independent Film (11, 1)

Enemy of the State

• Religion and Violence in Popular Film (3,1)

The English Patient

• Book Review: Finding Meaning at the Movies
• Twice Repressed: The Case of Ondaatje's Kip (8, 1)
• Religion and Violence in Popular Film (3,1)

Enquête sur le monde invisible (Investigations into the Invisible World)

• Report from Sundance 2004: Religion in Independent Film (8,1)

Enterprise [TV-Series 2001-????]

• Any Gods Out There? Perceptions of Religion from Star Wars and Star Trek (7,2)

Entertaining Angels

• From Peepshow to Prayer: Toward a Spirituality of the Movies (6,2)
• Editorial (2,1)

Equilibrium

• Film Review: Equilibrium (7,2)

Eraser

• Religion and Violence in Popular Film (3,1)

Escape from the Plant of the Apes

• Film Review: Planet of the Apes (5, 2)

Eternal Sunshine of the Spotless Minds

• A Community of Characters – the Narrative Self in the Films of Wes Anderson (9,2)
• Eternal Sunshine of the Spotless Mind and the Question of Transcendence (9,1)
• Film Review: Eternal Sunshine of the Spotless Mind (9,1)

Evangelion: Death & Rebirth (Neon Genesis Evangelion: Death & Rebirth; Shin seiki Evangelion Gekijô-ban: Shito shinsei)

• Robot Heavens and Robot Dreams: Ultimate Reality in A.I. and Other Recent Films (7, 2)

Eve and the Fire Horse

• Report from Sundance 2006: Religion in Independent Film (10,1)

Everyone Says I Love You

• Film Review: Keeping the Faith (4,2)

Everything's For You

• Performing Selves/Performing as Self: Autobiographical Films of Children of Jewish Holocaust Survivors (3,2)
• Editorial (3, 2)
• Editorial (2,1)

Executive Decision

• Film Review: The Kingdom (11, 2)
• From Navy Seals to The Siege: Getting to Know the Muslim Terrorist, Hollywood Style (9,2)

The Exorcism of Emily Rose

• Film Review: The Exorcism of Emily Rose (10,1)

The Exorcist

• The Devil We Already Know: Medieval Representations of a Powerless Satan in Modern American Cinema (8,2)
• Teaching Religion and Film (2,3)

Expelled: No Intellegence Required

• Film Review: Expelled: No Intellegence Required (12, 2)

The Eyes of Tammy Faye

• Report from Sundance 2000: Religion in Independent Film (4,1)

Eyes Wide Shut

• Robot Heavens and Robot Dreams: Ultimate Reality in A.I. and Other Recent Films (7,2)
• The Dharma Blues (6,1)

F

Fabiola

• Cinema and Theology: The Case of Heaven Over the Marshes (6,2)

Face/Off

• Religion and Violence in Popular Film (3,1)

Facing the Giants

• Book Review: Teaching Religion and Film

Falling Down

• Biography: Robert Duvall (2,1)

A Family Thing

• Biography: Robert Duvall (2,1)

Fargo

• The Sweet Hereafter: Law, Wisdom and Family Revisited (5,1)
• Fargo: A Biblical Morality Play (4,2)
• Editorial (4,2)

Fast, Cheap, and Out of Control

• Report from Sundance 1999: Religion in Independent Film (3,1)

The Fast Runner (Atanarjuat)

• Film Review:Atanarjuat (6,2)

Fatal Attraction

• To Commend or To Critique? The Question of Religion and Film Studies (1,2)

Father of the Bride

• Religion and Violence in Popular Film (3,1)

Father of the Bride Part II

• Religion and Violence in Popular Film (3,1)

Ferrebique

• Cinema and Theology: The Case of Heaven Over the Marshes (6,2

A Few Good Men

• Religion and Violence in Popular Film (3,1)

Fiddler on the Roof

• Report from Sundance 2003: Religion in Independent Film (7,1)

Field of Dreams

• Religion and Popular Movies (2,3)
• Teaching Field of Dreams as Cosmogonic Myth (2,3)
• Editorial (2,3)

The Fifth Element

• Film Review: Tomb Raider (5,2)
• Anti-Feminism in Recent Apocalyptic Film (4,1)
• Apocalyptic Visions (4,1)
• Bruce Willis as the Messiah: Human Effort, Salvation and Apocalypticism in Twelve Monkeys (4,1)

5^th World

• Report from Sundance 2005: Religion in Independent Film (9,1)

Fight Club

• Fight Club: An Exploration of Buddhism (11, 2)
• Robot Heavens and Robot Dreams: Ultimate Reality in A.I. and Other Recent Films (7,2)
• Film Review: Keeping the Faith (4,2)

Fighting Cholitas

• Report from Sundance 2007: Religion in Independent Film (11, 1)

Fireproof

• Book Review: Teaching Religion and Film

The Firm

• Religion and Violence in Popular Film (3,1)

First Blood (Rambo: First Blood)

• Archetypes on Screen: Odysseus, St. Paul, Christ and the American Cinematic Hero and Anti-Hero (9,1)
• Film Review: Windtalkers (6,2)

The First Wives Club

• Religion and Violence in Popular Film (3,1)

The Fisher King

• Buddhism, Christianity, and The Matrix:The Dialectic of Myth-Making in Contemporary Cinema 4,2)
• Religion and Popular Movies (2,3)
• Visions of the End. Secular Apocalypse in Recent Hollywood Film (2,1)

A Fistful of Dollars

• Dead Men Don’t Lie: Sacred Texts in Jim Jarmusch’sDead Man and Ghost Dog: Way of the Samurai (12, 2)

Fitna

• Film Review: Fitna (13, 1)

5 Days

• Report from Sundance 2006: Religion in Independent Film (10,1)

Five Minutes of Heaven

• Report from Sundance 2009: Religion in Independent Film (13, 1)

Flatliners

• Religion and Violence in Popular Film (3,1)
• Images of God in the Movies (1,1)

Fletch

• The Story Behind YAKOANA: An Interview with Anh Crutcher (3,1)

Flight of the Phoenix

• Film Review: Flight of the Phoenix (10,1)

The Flintstones

• Religion and Violence in Popular Film (3,1)

The Flowers of St. Francis (Francesco, guillare di Dio, Francis, God's Jester)

• From Peepshow to Prayer: Toward a Spirituality of the Movies (6,2)

Flubber

• Religion and Violence in Popular Film (3,1)

For the Bible Tells Me So

• Report from Sundance 2007: Religion in Independent Film (11, 1)

The Forbidden Kingdom

• God and the Bodhisattva: A Buddhist Reading of Stranger Than Fiction (13, 1)

Forrest Gump

• Book Review: Hollywood Worldviews: Watching Films With Wisdom & Discernment
• Book Review: Finding Meaning at the Movies
• Religion and Violence in Popular Film (3,1)

Four Sheets to the Wind

• Report from Sundance 2007: Religion in Independent Film (11, 1)

The Fourth Man (De Vierde Man)

• Symbolic Power and Religion Impotence in Paul Verhoeven's Spetters (7,2)

Frailty

• Biblical Allusions, Biblical Illusions: Hollywood Blockbuster and Scripture (8, Special Issue 1)

Francesco, guillare di Dio, Francis, God's Jester (The Flowers of St. Francis )

• From Peepshow to Prayer: Toward a Spirituality of the Movies (6,2)

Frankenstein

• Book Review: Teaching Religion and Film
• Film Review: Sleepy Hollow (4,1)
• Scripture on the Silver Screen (3,1)

Free Willy

• Religion and Violence in Popular Film (3,1)

Freeing Palestine

• To “Elevate Unfortunate Humanity”On-screen: Linking World War I and Protestant Missions through Silent Film (12, 2)

Fried Green Tomatoes

• Religion and Violence in Popular Film (3,1)

Friday the Thirteenth

• Biblical Scholarship and the Passion Surrounding The Passion of the Christ (8, Special Issue 1)

From Manger to Cross

• Film and the Apologetics of Biblical Violence (13, 1)
• Passion-ate Moments in the Jesus Film Genre (8, Special Issue 1)
• Celluloid Savior: Jesus in the Movies (6,2)

Frozen Angels

• Report from Sundance 2005: Religion in Independent Film (9,1)

The Fugitive

• Archetypes on Screen: Odysseus, St. Paul, Christ and the American Cinematic Hero and Anti-Hero (9,1)
• Religion and Violence in Popular Film (3,1)

Full Metal Jacket

• It’s Not Just a Job, It’s a Calling: The Redemption of Soldiering as Religious Vocation in Saving Private Ryan (10, 2)
• The Dharma Blues (6,1)

The Full Monty

• Still Crazy: An Unsung Homage to the New Testament (8,2)
• Fantasy Verses Redemption: Religious Possibility in Little Voice (4,2)
• Editorial (4,2)

The Funeral

• Book Review: Filmgoer's Guide to God

Back to Top

G

Gabbeh

• Film Review: The Silence (4,2)

Gael Garcia Bernal (Blood Wedding)

• Fecundity and Almodóvar? Sexual Ethics and the Specter of Catholicism (10, 2)

The Galilean (Der Galiläer)

Gamer

Gandhi

• Religion and Violence in Popular Film (3,1)

Gangs of New York

• Film Review: Gangs of New York (7, 1)

The Garden

• Book Review: Zwischen Fiktionalität und Kritik: Die Aktualität apokalyptischer Motive als Herausforderung theologischer Hermeneutik (Between Fictionalizing and Criticism: the Topicality of Apocalyptic Motives as a Challenge to Theological Hermeneutics)

Garden State

• A Community of Characters – the Narrative Self in the Films of Wes Anderson (9,2)

Gates of Heaven

• Report from Sundance 1999: Religion in Independent Films (3,1)

Die Geduld der Rosa Luxemburg (Rosa Luxemburg)

• Memory and Responsibility: An Interview with Margarethe von Trotta on Rosenstrasse (12, 1)

George of the Jungle

• Religion and Violence in Popular Film (3,1)

George A. Romero's Diary of the Dead

• Report from Sundance 2008: Religion in Independent Film (12, 1)

The German Revolution

• To “Elevate Unfortunate Humanity”On-screen: Linking World War I and Protestant Missions through Silent Film (12, 2)

Geronimo

• Biography: Robert Duvall (2,1)

Gerry

• Film Review: Vajra Sky Over Tibet (11, 2)

Gesture Down (I Don't Sing)

• Report from Sundance 2006: Religion in Independent Film (10,1)

Get Shorty

• Religion and Violence in Popular Film (3,1)

Ghost

• Religion and Violence in Popular Film (3,1)

Ghost Dog

• Dead Men Don’t Lie: Sacred Texts in Jim Jarmusch’s Dead Man and Ghost Dog: Way of the Samurai (12, 2)
• Film Review: Ghost Dog: The Way of the Samurai (4,2)
• Editorial (4,2)
• Film Review: Ghost Dog (4,1)

The Giant Buddhas

• Report from Sundance: Religion in Independent Film (10,1)

The Gift

• Report from Sundance 1999: Religion in Independent Film (3,1)

The Gingerbread Man

• Report from Sundance 1999: Religion in Independent Film (3,1)

Gladiator

• From Peepshow to Prayer: Toward a Spirituality of the Movies (6,2)
• Film Review: Gladiator (4,2)

Glory

• Archetypes on Screen: Odysseus, St. Paul, Christ and the American Cinematic Hero and Anti-Hero (9,1)

God and Monsters

• Film Review: Kinsey (9,1)

God Grew Tired of Us: The Story of the Lost Boys of the Sudan

• Report from Sundance 2006: Religion in Independent Film (10,1)

God's Army

• Book Review: Teaching Religion and Film
• Film Review: God's Army (4,2)

The Godfather

• Revisiting Violence in The Godfather: The Ambiguous Space of the Victimage Model (9,2)
• The Holy, Non-Christic Biblical Subtexts in Superman: The Movie (1978) and Superman II (1981) (6,2)
• Religion and Violence in Popular Film (3,1)
• Biography: Robert Duvall (2,1)

The Godfather: Part II

• The Holy, Non-Christic Biblical Subtexts in Superman: The Movie (1978) and Superman II (1981) (6,2)
• Biography: Robert Duvall (2,1)

The Godfather: Part III

• The Holy, Non-Christic Biblical Subtexts in Superman: The Movie (1978) and Superman II (1981) (6,2)
• Religion and Violence in Popular Film (3,1)

God's Army

• Film Review: God's Army (4,2)
• Editorial (4,2)

Godspell

• Passion-ate Moments in the Jesus Film Genre (8, Special Issue 1)
• Book Review: Reading the Gospels in the Dark: Portrayals of Jesus in Film
• Celluloid Savior: Jesus in the Movies (6,2)
• Film Depictions of Judas (5, 2)
• Do You Think You're What They Say You Are? Reflections on Jesus Christ Superstar (3,2)

Godzilla

• Religion and Violence in Popular Film (3,1)

Going My Way

• From Peepshow to Prayer: Toward a Spirituality of the Movies (6,2)
• Cinema and Theology: The Case of Heaven Over Marshes (6,2)
• Editorial (2,1)

The Golden Compass

• Film Review: The Golden Compass (12, 1)

GoldenEye

• Religion and Violence in Popular Film (3,1)

Golgotha

• Cinema and Theology: The Case of Heaven Over Marshes (6,2)

Gone with the Wind

• To Commend or To Critique? The Question of Religion and Film Studies (1,2)

Good Will Hunting

• Religion and Violence in Popular Film (3,1)

The Gospel (Vangelo secondo Matteo, II)

• Cinema and Theology: The Case of Heaven Over Marshes (6,2)
• Celluloid Savior: Jesus in the Movies (6,2)

The Gospel of St. John (The Visual Bible: The Gospel of John)

• Film and the Apologetics of Biblical Violence (13, 1)
• Are the Gospel Passion Accounts Anti-Jewish? (8, Special Issue 1)
• Judas the Film: Storytellers Then and Now (8, Special Issue 1)
• Passion-ate Moments in the Jesus Film Genre (8, Special Issue 1)

The Gospel According to St. Matthew

• Film and the Apologetics of Biblical Violence (13, 1)
• Being True to the Text: From Genesis to Harry Potter (12, 2)
• Jesus Christ, Superstar? Why the Gospels Don’t Make Good Movies (12, 2)
• Screening the Temptation: Interpretation and Indeterminacy in Cinematic Transformations of a Gospel Story (11, 2)
• Amma n movies–an introduction (9,2)
• Book Review: Jesus of Hollywood
• Book Review: Filmgoer's Guide to God
• Are the Gospel Passion Accounts Anti-Jewish? (8, Special Issue 1)
• Filming Jesus: Between Authority and Heresy (8,special issue 1)
• Judas the Film: Storytellers Then and Now (8, Special Issue 1)
• Passion-ate Moments in the Jesus Film Genre (8, Special Issue 1)
• Book Review: Reading the Gospels in the Dark: Portrayals of Jesus in Film
• Celluloid Savior: Jesus in the Movies (6,2)
• Do You Think You're What They Say You Are? Reflections on Jesus Christ Superstar (3,2)
• Scripture on the Silver Screen (3,1)
• Religion and Film: Capturing the Imagination (2,3)
• A Picture's Worth: Teaching Religion and Film (2,3)
• Jesus in Film: Hollywood Perspectives on the Jewishness of Jesus (2,2)

The Great Dictator

• Borat and Anti-Semitism (12, 1)

The Great Northfield Minnesota Raid

• Biography: Robert Duvall (2,1)

The Great Santini

• Biography: Robert Duvall (2,1)
• Editorial (1,2)

The Greatest

• Biography: Robert Duvall (2,1)

The Greatest Story Ever Told

• Bringing out the Meaning: Deacy, Nolan, Scorsese, and what films 'mean' (13, 2)
• Film and the Apologetics of Biblical Violence (13, 1)
• Being True to the Text: From Genesis to Harry Potter (12, 2)
• Jesus Christ, Superstar? Why the Gospels Don’t Make Good Movies (12, 2)
• Screening the Temptation: Interpretation and Indeterminacy in Cinematic Transformations of a Gospel Story (11, 2)
• Archetypes on Screen: Odysseus, St. Paul, Christ and the American Cinematic Hero and Anti-Hero (9,1)
• Judas the Film: Storytellers Then and Now (8, Special Issue 1)
• Passion-ate Moments in the Jesus Film Genre (8, Special Issue 1)
• Book Review: Screen Christologies: Redemption and the Medium of Film
• Book Review: Reading the Gospels in the Dark: Portrayals of Jesus in Film
• Celluloid Savior: Jesus in the Movies (6,2)
• Film Depictions of Judas (5, 2)
• Fargo: A Biblical Morality Play (4,2)
• Do You Think You're What They Say You Are? Reflections on Jesus Christ Superstar (3,2)
• The Messianic Figure in Film: Christology Beyond the Biblical Epic (2,2)

Green Bush

• Report from Sundance 2005: Religion in Independent Film (9,1)

The Green Mile

• Faith and the Absent Savior in Central Station (5,1)

Grizzly Man

• Film Review: Grizzly Man (10,1)

Groove

• Report from Sundance 2000: Religion in Independent Film (4,1)

Groundhog Day

• Book Review: Hollywood Worldviews: Watching Films With Wisdom & Discernment
• Religion and Violence in Popular Film (3,1)

Grumpy Old Men

• Religion and Violence in Popular Film (3,1)

Grumpier Old Men

• Religion and Violence in Popular Film (3,1)

Guess Who's Coming to Dinner?

• To Commend or To Critique? The Question of Religion and Film Studies (1,2)

Guitar

• Report from Sundance 2008: Religion in Independent Film (12, 1)

The Guru

• Film Review: The Guru (7, 1)

H

Hable con Ella (Talk to Her)

• Fecundity and Almodóvar? Sexual Ethics and the Specter of Catholicism (10, 2)

Hail Mary (Je Vous Salue, Marie)

• Celluloid Savior: Jesus in the Movies (6,2)

Half-Life

• Report from Sundance 2008: Religion in Independent Film (12, 1)

Half Sister

• Editorial (2,1)

The Hand That Rocks the Cradle

• Religion and Violence in Popular Film (3,1)

The Handmaid's Tale

• Children of Men and a Plural Messianism (13, 1)
• Biography: Robert Duvall (2,1)

Hannibal

• Film Review: Hannibal (5,1)

Happy Endings

• Report from Sundance 2005: Religion in Independent Film (9,1)

Happy Texas

• Report from Sundance 1999: Religion in Independent Films (3,1)

Harry Potter and the Chamber of Secrets

• Bewitching the Box Office: Harry Potter and Religious Controversy (7,2)

Harry Potter and the Goblet of Fire

• Film Review: Harry Potter, The Goblet of Fire...And the Communion of Saints (10,1)

Harry Potter and the Sorcerer's Stone

• Being True to the Text: From Genesis to Harry Potter (12, 2)
• Bewitching the Box Office: Harry Potter and Religious Controversy (7,2)
• Film Review: Harry Potter and the Sorcerer's Stone (6,1)

Harry Potter: Witchcraft Repackaged?

• Bewitching the Box Office: Harry Potter and Religious Controversy (7,2)

Hawaii

• Religion and Film: Capturing the Imagination (2,3)

Hawaii (1919)

• To “Elevate Unfortunate Humanity”On-screen: Linking World War I and Protestant Missions through Silent Film (12, 2)

Hawk is Dying

• Report from Sundance: Religion in Independent Film (10,1)

Heart of Light

• Report from Sundance 1999: Religion in Independent Film (3,1)
• Editorial (3,1)

Heart of Stone

• Slamdance Film Festival 2009

Heaven

• Film Review: Heaven (7,1)

Heaven Over the Marshes (Cielo sulla palude)

• Cinema and Theology: The Case of Heaven Over Marshes (6,2)

The Hebrew Hammer

• Report from Sundance 2003: Religion in Independent Film (7,1)

Hell House

• Film Review: Hell House (7,1)

Hellbound: Hellraiser II

• The Devil We Already Know: Medieval Representations of a Powerless Satan in Modern American Cinema (8,2)

Hellboy

• Film Review: Constantine (9,1)

Henry & June

• The Story Behind YAKOANA: An Interview with Anh Crutcher (3,1)

Henry Poole Is Here

• Film Review: Henry Poole Is Here (12, 2)

Hercules

• Religion and Violence in Popular Film (3,1)

Hidden Medicine

• Report from Sundance 1999: Religion in Independent Film (3,1)

High Noon

• Book Review: Finding Meaning at the Movies

Hofshat Kaits

• Film Review: Hofshat Kaits (12, 2)

Hollow Man

• Symbolic Power and Religion Impotence in Paul Verhoeven 's Spetters (7,2)
• The Invisible Body of God: Paul Verhoeven's Hollow Man (8,1)

The Holy Girl

• Film Review: The Holy Girl (10,1)

Holy Smoke!

• Film Review: Holy Smoke [Makarushka] (4,2)
• Film Review: Holy Smoke [Pannell] (4,2)
• Editorial (4,2)

Home Alone

• Religion and Violence in Popular Film (3,1)

Home Alone 2

• Religion and Violence in Popular Film (3,1)

Hook

• Religion and Violence in Popular Film (3,1)

Hot House

• Report from Sundance 2007: Religion in Independent Film (11, 1)

Hot Shots!

• Religion and Violence in Popular Film (3,1)

The House

• Report from Sundance 1999: Religion in Independent Films (3,1)

The House of Sand and Fog

• Film Review: The House of Sand and Fog (8,1)

How the Grinch Stole Christmas

• Being True to the Text: From Genesis to Harry Potter (12, 2)

Hsi Yen (The Wedding Banquet)

• When The Master Is Not Master: The Critique of Enlightenment in Ang Lee's Crouching Tiger, Hidden Dragon (7, 2)

Human Nature

• Eternal Sunshine of the Spotless Mind and the Question of Transcendence (9,1)

The Hunchback of Notre Dame

• Religion and Violence in Popular Film (3,1)

The Hunt for Red October

• Religion and Violence in Popular Film (3,1)

I

I Am Legend

• Film Review: I Am Legend (12, 1)

I ♥ Huckabees

• Film Review: I ♥ Huckabees (10,1)

I, Robot

• I, Robot: You Gotta Have Heart (9,2)

Ice Age

• Film Review: Ice Age (6,1)

The Ice Storm

• When The Master Is Not Master: The Critique of Enlightenment in Ang Lee 's Crouching Tiger, Hidden Dragon (7,2)

The Idiots (Idioterne)

• Editorial (4,2)

Igby Goes Down

• Film Review: Igby Goes Down (6,2)

I Just Wanted To Be Somebody

• Report from Sundance 2007: Religion in Independent Film (11, 1)

I Know What You Did Last Summer

• Religion and Violence in Popular Film (3,1)

Il messia (The Messiah)

• Passion-ate Moments in the Jesus Film Genre (8, Special Issue 1)

Il Vangelo Secondo Matteo (The Gospel of St. Matthew)

• Book Review: Jesus of Hollywood

I'm Not There

• True, Valid Death Off a Movie Screen: Todd Haynes’ I’m Not There (12, 2)

In Good Conscience: Sister Jeannine Gramick's Journey of Faith

• Film Review: In Good Conscience: Sister Jeannine Gramick's Journey of Faith (12,1)

An Inconvenient Truth

• Film Review: Jesus Camp (11, 2)

In Memory

• Editorial (2,1)

In the Bedroom

• Film Review: In the Bedroom (6,1)

In the Company of Men

• Fall, Creation, and Redemption in Heil LaBute's The Shape of Things (8,1)

In the Line of Fire

• Religion and Violence in Popular Film (3,1)

In This World

• Film Review: In this World (8, 1)

Incendiary

• Report from Sundance 2008: Religion in Independent Film (12, 1)

Indecent Proposal

• Religion and Violence in Popular Film (3,1)

Independence Day

• Age before Beauty: A Comparative Study of Martyrs in American Disaster Movies and Their Medieval Predecessors (11, 1)
• Anti-Feminism in Recent Apocalyptic Film (4,1)
• Apocalyptic Visions (4,1)
• Armageddon at the Millenial Dawn (4,1)
• Religion and Violence in Popular Film (3,1)
• Editorial (2,3)
• Religion & Popular Movies (2,3)
• Visions of the End. Secular Apocalypse in Recent Hollywood Film (2,1)

Indiana Jones and the Kingdom of the Crystal Skull (12, 2)

• Film Review: Indiana Jones and The Kingdom of the Crystal Skull (12, 2)

Indiana Jones and The Raiders of the Lost Ark (Raiders of the Lost Ark)

• From Navy Seals to The Siege: Getting to Know the Muslim Terrorist, Hollywood Style (9,2

• The Rapture: A Challenging Vision of Horror (1,1)

Inglourious Basterds

• Film Review: Inglourious Basterds (13, 2)

Interview with the Vampire: The Vampire Chronicles

• Religion and Violence in Popular Film (3,1)

Into Great Silence (Die große Stille)

• Report from Sundance 2006: Religion in Independent Film (10,1)

Intolerance: Love's Struggle Through the Ages

• The Birth of a Nation as American Myth (8,2)
• Passion-ate Moments in the Jesus Film Genre (8, Special Issue 1)
• Jesus in Film: Hollywood Perspectives on the Jewishness of Jesus (2,2)

The Invention of Lying

• Film Review: The Invention of Lying (13, 2)

Investigations into the Invisible World (Enquête sur le monde invisible)

• Report from Sundance 2004: Religion in Independent Film (8,1)

Iran, Veiled Appearances

• Report from Sundance 2003: Religion in Independent Film (7,1)

Iraq in Fragments

• Report from Sundance 2006: Religion in Independent Film (10,1)

The Iron Giant

• Robot Heavens and Robot Dreams: Ultimate Reality in A.I. and Other Recent Films (7,2)
• Faith and the Absent Savior in Central Station (5,1)

Ironweed

• Book Review: Screening the Sacred: Religion, Myth, and Ideology in Popular American Film

Ishtar

• From Navy Seals to The Siege: Getting to Know the Muslim Terrorist, Hollywood Style (9,2)

The Island

• Report from Sundance 2007: Religion in Independent Film (11, 1)

It's A Wonderful Life

• Christian Signature and Archetype in Frank Capra's It's A Wonderful Life (13, 1)
• Report from Sundance 2003: Religion in Independent Film (7,1)
• Report from Sundance 1999: Religion in Independent Films (3,1)
• Teaching Religion and Film (2,3)

J

JFK

• Religion and Violence in Popular Film (3,1)

Jacob's Ladder

• Book Review: Teaching Religion and Film
• Images of God in the Movies (1,1)

James' Journey to Jerusalem

• Film Review: James' Journey to Jerusalem (8, 1)

The Jazz Singer

• Redressing Jewish Difference in Tania Modleski's 'Cinema and the Dark Continent.' (1,2)

Jekyll and Hyde

• Native American Religion and Film: Interviews with Crhis Eyre and Sherman Alexie (7,1)

Jennifer's Body

• Film Review: Jennifer's Body (13, 2)

Jerry Maguire

• Religion and Violence in Popular Film (3,1)

Jesus

• Screening the Temptation: Interpretation and Indeterminacy in Cinematic Transformations of a Gospel Story (11, 2)
• Judas the Film: Storytellers Then and Now (8, Special Issue 1)
• Do You Think You're What They Say You Are? Reflections of Jesus Christ Superstar (3,2)

Jesus Camp

• Film Review: Jesus Camp (11, 2)

Jesus Christ, Superstar

• God in the Details: The Cleansing of the Temple in Four Jesus Films (13, 2)
• Servant of the Story: Judas as Tragic Hero in Film (8,2)
• Filming Jesus: Between Authority and Heresy (8,special issue 1)
• Judas the Film: Storytellers Then and Now (8, Special Issue 1)
• Passion-ate Moments in the Jesus Film Genre (8, Special Issue 1)
• From Peepshow to Prayer: Toward a Spirituality of the Movies (6,2)
• Celluloid Savior: Jesus in the Movies (6,2)
• Film Depictions of Judas (5, 2)
• Do You Think You're What They Say You Are? Reflections of Jesus Christ Superstar (3,2)
• Editorial (3, 2)
• Scripture on the Silver Screen (3,1)
• Teaching Religion and Film (2,3)
• Religion and Film: Capturing the Imagination (2,3)
• Religion and Popular Movies (2,3)
• Jesus in Film: Hollywood Perspectives on the Jewishness of Jesus (2,2)
• The Messianic Figure in Film: Christology Beyond the Biblical Epic (2,2)
• To Commend or To Critique? The Question of Religion and Film Studies (1,2)

Jesus of Montreal

• God in the Details: The Cleansing of the Temple in Four Jesus Films (13, 2)
• Book Review: Reading the Gospels in the Dark: Portrayals of Jesus in Film
• Screening the Temptation: Interpretation and Indeterminacy in Cinematic Transformations of a Gospel Story (11, 2)
• Book Review: Jesus of Hollywood
• Archetypes on Screen: Odysseus, St. Paul, Christ and the American Cinematic Hero and Anti-Hero (9,1)
• Servant of the Story: Judas as Tragic Hero in Film (8,2)
• Filming Jesus: Between Authority and Heresy (8,special issue 1)
• Passion-ate Moments in the Jesus Film Genre (8, Special Issue 1)
• From Peepshow to Prayer: Toward a Spirituality of the Movies (6,2)
• Celluloid Savior: Jesus in the Movies (6,2)
• Do You Think You're What They Say You Are? Reflections on Jesus Christ Superstar (3,2)
• Editorial (3, 2)
• Scripture on the Silver Screen (3,1)
• A Picture's Worth: Teaching Religion and Film (2,3)
• Religion and Film: Capturing the Imagination (2,3)
• Religion and Popular Movies (2,3)
• Jesus in Film: Hollywood Perspectives on the Jewishness of Jesus (2,2)
• Editorial (2,1)
• Babette's Feast: A Religious Film 1,2)
• To Commend or To Critique? The Question of Religion and Film Studies (1,2)

Jesus of Nazareth

• Film and the Apologetics of Biblical Violence (13, 1)
• Book Review: Jesus of Hollywood
• Judas the Film: Storytellers Then and Now (8, Special Issue 1)
• Passion-ate Moments in the Jesus Film Genre (8, Special Issue 1)
• Superman as Christ-Figure: The American Pop Culture Movie Messiah (6,1)
• Film Depictions of Judas (5, 2)
• Do You Think You're What They Say You Are? Reflections on Jesus Christ Superstar (3,2)
• Religion and Film: Capturing the Imagination (2,3)
• Jesus in Film: Hollywood Perspectives on the Jewishness of Jesus (2,2)
• The Messianic Figure in Film: Christology Beyond the Biblical Epic (2,2)

Jesus' Son

• Robot Heavens and Robot Dreams: Ultimate Reality in A.I. and Other Recent Films (7,2)

Je Vous Salue, Marie (Hail Mary)

• Celluloid Savior: Jesus in the Movies (6,2)

Jewboy

• Report from Sundance 2006: Religion in Independent Film (10,1)

Joe Kidd

• Biography: Robert Duvall (2,1)

Johnny Mad Dog

• Report from Sundance 2009: Religion in Independent Film (13, 1)

Jumanji

• Religion and Violence in Popular Film (3,1)

Jodhaa Akbar

• Film Review: Jodhaa Akbar (12, 1)

Jonah: A Veggie Tales Movie

• Film Review: Jonah: A Veggie Tales Movie (6,2)

Journal d'un curé de campagne (Diary of a Country Priest)

• Diary of a Country Priest: The Transcendent on Film (10,2)
• Book Review: Finding Meaning at the Movies
• Book Review: Filmgoer's Guide to God (9, 2)
• Rosetta Stone: A Consideration of the Dardenne Brothers' Rosetta (6,1)

Journey into Buddhism: The Yatra Trilogy - Dharma River

• Film Review: Vajra Sky Over Tibet (11, 2)

Journey into Buddhism: The Yatra Trilogy - Prajna Earth - Journey into Sacred Nature

• Film Review: Vajra Sky Over Tibet (11, 2)

Judas

• Judas the Film: Storytellers Then and Now (8, Special Issue 1)

Jungfrukällan (The Virgin Spring)

• From Peepshow to Prayer: Toward a Spirituality of the Movies (6,2)

Jungle Fever

• To Commend or To Critique? The Question of Religion and Film Studies (1,2)

Jurassic Park

• Religion and Violence in Popular Film (3,1)

K

Kalifornia

• Archetypes on Screen: Odysseus, St. Paul, Christ and the American Cinematic Hero and Anti-Hero (9,1)

Kal Ho Naa Ho

• Found in Translation: From Hollywood Hits to Bollywood Blockbusters (11, 2)

Kandahar

• Film Review: In this World (8, 1)
• Film Review: Kandahar (6,1)

Kate and Leopold

• Robot Heavens and Robot Dreams: Ultimate Reality in A.I. and Other Recent Films (7,2)

Katyn

• Film Review: Katyn (11, 2)

Keeping the Faith

• Film Review: Keeping the Faith (4,2)
• Editorial (4,2)

Keetje Tippel (Cathy Tippel)

• Symbolic Power and Religion Impotence in Paul Verhoeven's Spetters (7,2)

Khadak

• Report from Sundance 2007: Religion in Independent Film (11, 1)

Khamoush Pani: Silent Waters

• Book Review: Teaching Religion and Film

Kill Bill I

• The “Unfinished Business” of Kill Bill: Cinematic Discourse In and Out of the Dark (11, 1)
• Film Review: Kill Bill I (8, 1)

Kill Bill II

• The “Unfinished Business” of Kill Bill: Cinematic Discourse In and Out of the Dark (11, 1)
• Film Review: Kill Bill II (8, 1)

The Killer (Die Zue Shuang Xiong)

• Jon Woo's The Killer and Girard (5,1)

The Killer Elite

• Biography: Robert Duvall (2,1)

Kindergarten Cop

• Religion and Violence in Popular Film (3,1)

Kinematograf (Persona)

• From Peepshow to Prayer: Toward a Spirituality of the Movies (6,2)

King of the Jews

• Report from Sundance 2000: Religion in Independent Film (4,1)
• Do You Think You're What They Say You Are? Reflections on Jesus Christ Superstar (3,2)

King of Kings (1927)

• God in the Details: The Cleansing of the Temple in Four Jesus Films (13, 2)
• Film and the Apologetics of Biblical Violence (13, 1)
• The Construction of a Christ-figure within the 1956 and 1923 Versions of Cecil B. DeMille's The Ten Commandments (10,1)
• Passion-ate Moments in the Jesus Film Genre (8, Special Issue 1)
• From Peepshow to Prayer: Toward a Spirituality of the Movies (6,2)
• Celluloid Savior: Jesus in the Movies (6,2)
• Superman as Christ-Figure: The American Pop Culture Movie Messiah (6,1)
• Film Depictions of Judas (5, 2)
• The Messianic Figure in Film: Christology Beyond the Biblical Epic (2,2)

King of Kings (1961)

• Film and the Apologetics of Biblical Violence (13, 1)
• Being True to the Text: From Genesis to Harry Potter (12, 2)
• Jesus Christ, Superstar? Why the Gospels Don’t Make Good Movies (12, 2)
• Screening the Temptation: Interpretation and Indeterminacy in Cinematic Transformations of a Gospel Story (11, 2)
• Filming Jesus: Between Authority and Heresy (8,special issue 1)
• Judas the Film: Storytellers Then and Now (8, Special Issue 1)
• Passion-ate Moments in the Jesus Film Genre (8, Special Issue 1)
• Book Review: Reading the Gospels in the Dark: Portrayals of Jesus in Film
• Book Review: Screen Christologies: Redemption and the Medium of Film
• From Peepshow to Prayer: Toward a Spirituality of the Movies (6,2)
• Film Depictions of Judas (5, 2)
• Fargo: A Biblical Morality Play (4,2)
• Do You Think You're What They Say You Are? Reflections on Jesus Christ Superstar (3,2)
• Teaching Religion and Film (2,3)
• Jesus in Film: Hollywood Perspectives on the Jewishness of Jesus (2,2)
• The Messianic Figure in Film: Christology Beyond the Biblical Epic (2,2)

The Kingdom

• Film Review: The Kingdom (11, 2)

Kingdom Come

• Film Review: Kingdom Come (5,1)

Kinsey

• Film Review: Kinsey (9,1)

The Kite Runner

• Film Review: The Kite Runner (11, 2)

Klute

• The Ties That Bind and Bless the Soul: Grace and Noir in Schrader's Light Sleeper (2,2)

Knowing

• Film Review: Knowing (13, 1)

Koyaanisqatsi

• Film Review: Vajra Sky Over Tibet (11, 2)

K-Pax

• Film Review: K-Pax (6,1)

Kundun

• Film Review: Spring, Summer, Fall, Winter... and Spring (Bom yeoreum gaeul gyeoul geurigo bom) (9,2)
• Stillness in Motion: The Sleeping Man of Oguri Kohei (3,1)
• Orientalist Commercializations: Tibetan Buddhism in American Popular Film (2,2)

KZ

• Report from Sundance 2006: Religion in Independent Film (10,1)

L

La Dolce Vita

• The Persistence of the Sacred in Baz Luhrmann’s Romeo + Juliet (11, 2)

La Mala Educación (Bad Education)

• Fecundity and Almodóvar? Sexual Ethics and the Specter of Catholicism (10, 2)

La Mission

• Report from Sundance 2009: Religion in Independent Film (13, 1)

La Passion de Jeanne d'Arce (The Passion of Joan of Arc)

• Book Review: Filmgoer's Guide to God
• Archetypes on Screen: Odysseus, St. Paul, Christ and the American Cinematic Hero and Anti-Hero (9,1)
• From Peepshow to Prayer: Toward a Spirituality of the Movies (6,2)

La promesse

• Rosetta Stone: A Consideration of the Dardenne Brothers' Rosetta (6,1)

La Strada

• Book Review: Finding Meaning at the Movies

La Terra Trema: Episodio del mare

• Cinema and Theology: The Case of Heaven Over Marshes (6,2)

La vie et la passion de Jésus Christ (The Life and Passion of Christ)

• Film and the Apologetics of Biblical Violence (13, 1)

Le Grande Voyage

• Book Review: Teaching Religion and Film

Le Paquebot Tenacity (S.S. Tenacity)

• Native American Religion and Film: Interviews with Chris Eyre and Sherman Alexie (7,1)

The Land has Eyes (Pear ta ma 'on maf)

• Report from Sundance 2004: Religion in Independent Film (8,1)

Land of the Dead

• Film Review: Land of the Dead (9,2)

Lara Croft: Tomb Raider (Tomb Raider)

• Film Review: Tomb Raider (5,2)

L'Armée des ombres (Army of Shadows)

• Book Review: Filmgoer's Guide to God (9, 2)

The Last of England

• Book Review: Zwischen Fiktionalität und Kritik: Die Aktualität apokalyptischer Motive als Herausforderung theologischer Hermeneutik (Between Fictionalizing and Criticism: the Topicality of Apocalyptic Motives as a Challenge to Theological Hermeneutics)

The Last of the Mohicans

• Religion and Violence in Popular Film (3,1)

The Last Man on Earth

• Film Review: I Am Legend (12, 1)

Last Man Standing

• Editorial (1,2)

The Last Temptation of Christ

• God in the Details: The Cleansing of the Temple in Four Jesus Films (13, 2)
• Film and the Apologetics of Biblical Violence (13, 1)
• Jesus Christ, Superstar? Why the Gospels Don’t Make Good Movies (12, 2)
• Book Review: Screen Christologies: Redemption and the Medium of Film
• Book Review: Teaching Religion and Film
• Screening the Temptation: Interpretation and Indeterminacy in Cinematic Transformations of a Gospel Story (11, 2)
• Book Review: Jesus of Hollywood
• Archetypes on Screen: Odysseus, St. Paul, Christ and the American Cinematic Hero and Anti-Hero (9,1)
• Servant of the Story: Judas as Tragic Hero in Film (8,2)
• Film Review: Big Fish (8, 1)
• Filming Jesus: Between Authority and Heresy (8,special issue 1)
• Judas the Film: Storytellers Then and Now (8, Special Issue 1)
• Passion-ate Moments in the Jesus Film Genre (8, Special Issue 1)
• Reassessing The Matrix/Reloaded (7,2)
• From Peepshow to Prayer: Toward a Spirituality of the Movies (6,2)
• Celluloid Savior: Jesus in the Movies (6,2)
• Film Depictions of Judas (5, 2)
• Editorial (5,2)
• Do You Think You're What They Say You Are? Reflections on Jesus Christ Superstar (3,2)
• Andrei Rublev: Religious Epiphany in Art (3,2)
• Scripture on the Silver Screen (3,1)
• A Picture's Worth: Teaching Religion and Film (2,3)
• Religion and Popular Movies (2,3)
• Jesus in Film: Hollywood Perspectives on the Jewishness of Jesus (2,2)
• The Messianic Figure in Film: Christology Beyond the Biblical Epic (2,2)
• "The Ties That Bind and Bless the Soul": Grace and Noir in Schrader's Light Sleeper (2,2)
• Editorial (2,1)

The Last Waltz

• The Catholic Imagination in Martin Scorsese's The Last Waltz (5,2)
• Editorial (5,2)
• Book Review: Finding Meaning at the Movies

The Last Wave

• Apocalyptic Visions (4,1)

Latter Days

• Book Review: Teaching Religion and Film
• Report from Sundance 2004: Religion in Independent Film (8,1)

Lawman

• Biography: Robert Duvall (2,1)

A League of their Own

• Religion and Violence in Popular Film (3,1)

Le D iable est parmi nous (Satan's Sabbath)

• Book Review: They Came from Within: A History of Canadian Horror Cinema

Le Manoir du diable (The Devil's Manor)

• The Devil We Already Know: Medieval Representations of a Powerless Satan in Modern American Cinema (8,2)

Leap of Faith

• The Apostle: Leap of Faith: An Interview with Robert Duvall (2,1)
• Editorial (2,1)

Leaving Las Vegas

• Report from Sundance 1999: Religion in Independent Films (3,1)

Left Behind (V)

• "Angels Carrying Savage Weapons”: Uses of the Bible in Contemporary Horror Films (7,2)

The Legacy

• Report from Sundance 2007: Religion in Independent Film (11, 1)

Legend

• The Devil We Already Know: Medieval Representations of a Powerless Satan in Modern American Cinema (8,2)

The Legend of Bagger Vance

• Still Crazy: An Unsung Homage to the New Testament (8,2)

Legends of the Fall

• Religion and Violence in Popular Film (3,1)

Let the Church Say Amen

• Report from Sundance 2004: Religion in Independent Film (8,1)

Lethal Weapon

• Archetypes on Screen: Odysseus, St. Paul, Christ and the American Cinematic Hero and Anti-Hero (9,1)
• History, Hollywood, and the Bible: Some Thoughts on Gibson's Passion (8, Special Issue 1)

Lethal Weapon 3

• Religion and Violence in Popular Film (3,1)

Lethal Weapon 4

• Religion and Violence in Popular Film (3,1)

Liar Liar

• Religion and Violence in Popular Film (3,1)

The life and Passion of Christ (La vie et la passion de Jésus Christ)

• Film and the Apologetics of Biblical Violence (13, 1)

The Life and Times of Judge Roy Bean

• Preacher, Shepherd, Judge: The Role of the Outlaw Prophet in American Film (12,2)

Life is Beautiful

• Borat and Anti-Semitism (12, 1)
• Report from Sundance 1999: Religion in Independent Film (3,1)

A Life Less Ordinary

• Robot Heavens and Robot Dreams: Ultimate Reality in A.I. and Other Recent Films (7,2)

The Life of Brian (Monty Python's Life of Brian)

• Book Review: Reading the Gospels in the Dark: Portrayals of Jesus in Film
• Still Crazy: An Unsung Homage to the New Testament (8,2)
• Teaching Religion and Film (2,3)
• A Picture's Worth: Teaching Religion and Film (2,3)
• Jesus in Film: Hollywood Perspectives on the Jewishness of Jesus (2,2)

Light Sleeper

• The Ties That Bind and Bless the Soul': Grace and Noir in Schrader's Light Sleeper (2,2)

The Lightship

• Biography: Robert Duvall (2,1)

Linguists

• Report from Sundance 2008: Religion in Independent Film (12, 1)

The Lion King

• Anti-Feminism in Recent Apocalyptic Film (4,1)
• Apocalyptic Visions (4,1)
• Religion and Violence in Popular Film (3,1)
• Scripture on the Silver Screen (3,1)

Ligaya Ang Itawag Mo Sa Akin (They Call Me Joy)

• They Call Me Joy: Philippine Protestantism as Local Culture (10, 2)

Little Big Man

• The Catholic Imagination in Martin Scorsese's The Last Waltz (5,2)

Little Buddha

• Film Review: Spring, Summer, Fall, Winter... and Spring (Bom yeoreum gaeul gyeoul geurigo bom) (9,2)
• Religion and Popular Movies (2,3)
• Orientalist Commercializations: Tibetan Buddhism in American Popular Film (2,2)
• Babette's Feast: A Religious Film (1,2)

The Little Minister

• Teaching Religion and Film (2,3)

Little Mosque on the Prairie

• Book Review: Teaching Religion and Film

Little Miss Sunshine

• Film Review: Little Miss Sunshine (11, 1)

Little Nicky

• The Devil We Already Know: Medieval Representations of a Powerless Satan in Modern American Cinema (8,2)

A Little Stiff

• Film Review: A Sign From God (4,2)

Little Voice

• Fantasy Verses Redemption: Religious Possibility in Little Voice (4,2)

The Littlest Angel

• Robot Heavens and Robot Dreams: Ultimate Reality in A.I. and Other Recent Films (7,2)

Live Flesh (Carne Trémula)

• Fecundity and Almodóvar? Sexual Ethics and the Specter of Catholicism (10, 2)

Lolita

• The Dharma Blues (6, 1)

Lone Star

• Book Review: Finding Meaning at the Movies

The Long Silence (Lungo silenzio, II)

• Memory and Responsibility: An Interview with Margarethe von Trotta on Rosenstrasse (12, 1)

Long Night's Journey into Day

• Report from Sundance 2000: Religion in Independent Film (4,1)

The Lord of the Rings: The Fellowship of the Ring

• Archetypes on Screen: Odysseus, St. Paul, Christ and the American Cinematic Hero and Anti-Hero (9,1)

Lorenzo's Oil

• Editorial (1,2)

The Loss of Sexual Innocence

• Report from Sundance 1999: Religion in Independent Film (3,1)

Lost in Translation

• A Community of Characters – the Narrative Self in the Films of Wes Anderson (9,2)
• Film Review: Lost in Translation (8, 1)

The Lost Honor of Katharina Blum (Die Verlorene Ehre der Katharina Blum oder: Wie Gewalt entstehen und wohin sie führen ka)

• Memory and Responsibility: An Interview with Margarethe von Trotta on Rosenstrasse (12, 1)

Lost Souls

• Biblical Allusions, Biblical Illusions: Hollywood Blockbuster and Scripture (8, Special Issue 1)
• "Angels Carrying Savage Weapons”: Uses of the Bible in Contemporary Horror Films (7, 2)

Lost Sparrows of Roodepoort

• Slamdance Film Festival 2009

The Lost World: Jurassic Park

• Religion and Violence in Popular Film (3,1)

Love Liza

• A Community of Characters – the Narrative Self in the Films of Wes Anderson (9,2)

Lovers of the Arctic Circle

• Film Review: Lovers of the Arctic Circle (3,2)

Lungo silenzio, II (The Long Silence)

• Memory and Responsibility: An Interview with Margarethe von Trotta on Rosenstrasse (12, 1)

Back to Top

M

Mababangong Bangungot (Perfumed Nightmare)

• Perfumed Nightmare and Negative Experiences of Contrast: Third Cinema as Filmic Interpretation of Schillebeeckx (6,1)

M*A*S*H

• Report from Sundance 1999: Religion in Independent Film (3,1)
• Biography: Robert Duvall (2,1)

The Machinist (El Maquinista)

• Film Review: The Machinist (10,1)

The Magnificent Seven

• Dead Men Don’t Lie: Sacred Texts in Jim Jarmusch’s Dead Man and Ghost Dog: Way of the Samurai (12, 2)

Magnolia

• “But it did happen”: Sound as Deep Narrative in P.T. Anderson’s Magnolia (1999) (13, 2)
• Biblical Allusions, Biblical Illusions: Hollywood Blockbuster and Scripture (8, Special Issue 1)
• Magnolia and the Signs of the Times: A Theological Reflection (4,2)
• Editorial (4,2)

The Maldonado Miracle

• Report from Sundance 2003: Religion in Independent Film (7,1)

A Man Called Horse

• Native American Religion and Film: Interviews with Chris Eyre and Sherman Alexie (7,1)

A Man Escaped (Un codamné à mort s'est échappé ou Le vent souffle où il veut)

• Book Review: Filmgoer's Guide to God
• Rosetta Stone: A Consideration of the Dardenne Brothers' Rosetta (6,1)

A Man for All Seasons

• From Peepshow to Prayer: Toward a Spirituality of the Movies (6,2)

The Man Who Captured Eichmann

• Biography: Robert Duvall (2,1)

Manhunter (Red Dragon, Red Dragon: The Pursuit of Hannibal Lecter)

• "Angels Carrying Savage Weapons": Uses of the Bible in Contemporary Horror Films (7, 2)

Maria Full of Grace

• Film Review: Maria Full of Grace (10,1)
• Report from Sundance 2004: Religion in Independent Film (8, 1)

Marianne and Julianne (Die Bleierne Zeit)

• Memory and Responsibility: An Interview with Margarethe von Trotta on Rosenstrasse (12, 1)

• Religion and Violence in Popular Film (3,1)

The Mask

• Religion and Violence in Popular Film (3,1)

Matir Moina (The Clay Bird)

• Film Review: Matir Moina (The Clay Bird) (7, 1)

The Matrix

• Book Review: Teaching Religion and Film
• Portraying the Quest for Buddhist Wisdom?: A Comparative Study of The Matrix and Crouching Tiger, Hidden Dragon (10,1)
• He is the One: The Matrix Trilogy's Postmodern Movie Messiah (9,2)
• Archetypes on Screen: Odysseus, St. Paul, Christ and the American Cinematic Hero and Anti-Hero (9,1)
• Biblical Allusions, Biblical Illusions: Hollywood Blockbuster and Scripture (8, Special Issue 1)
• Reassessing the Matrix/Reloaded (7,2)
• Robot Heavens and Robot Dreams: Ultimate Reality in A.I. and Other Recent Films (7, 2)
• Film Review: The Matrix: Reloaded (7,2)
• Cinematic Illustrations in Christian Theology (6,2)
• Wake up! Gnosticism and Buddhism in The Matrix (5,2)
• Editorial (5,2)
• Film Review: Tomb Raider (5,2)
• Film Review: Crouching Tiger, Hidden Dragon (5,1)
• Buddhism, Christianity, and The Matrix: The Dialectic of Myth-Making in Contemporary Cinema (4,2)
• Editorial (4,2)
• Apocalyptic Vision (4, 1)
• Armageddon at the Millenial Dawn (4,1)
• Editorial (4,1)

The Matrix Reloaded

• He is the One: The Matrix Trilogy's Postmodern Movie Messiah (9,2)
• Biblical Allusions, Biblical Illusions: Hollywood Blockbuster and Scripture (8, Special Issue 1)
• Reassessing the Matrix/Reloaded (7,2)
• Film Review: The Matrix Reloaded (7, 2)
• Robot Heavens and Robot Dreams: Ultimate Reality in A.I. and Other Recent Films (7, 2)

The Matrix Revolutions

• From Superman to Brahman: The Religious Shift of The Matrix Mythology (10,2)
• He is the One: The Matrix Trilogy's Postmodern Movie Messiah (9,2)
• Reassessing the Matrix/Reloaded (7,2)

Maverick

• Religion and Violence in Popular Film (3,1)

McCabe and Mrs. Miller

• Report from Sundance 1999: Religion in Independent Film (3,1)

Meet Joe Black

• Report from Sundance 1999: Religion in Independent Film (3,1)

Memento

• Robot Heavens and Robot Dreams: Ultimate Reality in A.I. and Other Recent Films (7, 2)

Men in Black

• Religion and Violence in Popular Film (3,1)

Mermaid

• Report from Sundance 2008: Religion in Independent Film (12, 1)

The Message

• Seeing with Buddha’s Eyes:  Spring, Summer, Autumn, Winter...and Spring (11, 2)
• Book Review: Filmgoer's Guide to God

The Messiah (Il messia)

• Passion-ate Moments in the Jesus Film Genre (8, Special Issue 1)

Methodism and Negro Immigration

• To “Elevate Unfortunate Humanity”On-screen: Linking World War I and Protestant Missions through Silent Film (12, 2)

Methodized Cannibals

• To “Elevate Unfortunate Humanity”On-screen: Linking World War I and Protestant Missions through Silent Film (12, 2)

Metropolis

• Robot Heavens and Robot Dreams: Ultimate Reality in A.I. and Other Recent Films (7, 2)
• Apocalyptic Visions (4,1)
• Apocalyptic Visions - Beyond Corporeality (2,3)
• Editorial (2,3)

The Mexican

• Esther and The Mexican (5,1)

Michael

• Religion and Violence in Popular Film (3,1)

Million Dollar Baby

• In the name of the Father, the Daughter and Eddie Scrap: Trinitarian Theology in Million Dollar Baby 11, 1)

Millions

• Film Review: Millions (10,1)

Minority Report

• Robot Heavens and Robot Dreams: Ultimate Reality in A.I. and Other Recent Films (7, 2)
• Film Review: Minority Report (6,2)
• Discussion Topic 6: God and "the Force" - Star Wars

Miracle on 34th Street

• Teaching Religion and Film (2,3)

Mirror

• Andrei Rublev: Religious Epiphany in Art (3,2)

Misery

• Religion and Violence in Popular Film (3,1)

Miss Navajo

• Report from Sundance 2007: Religion in Independent Film (11, 1)

The Mission

• Archetypes on Screen: Odysseus, St. Paul, Christ and the American Cinematic Hero and Anti-Hero (9,1)
• Religion and Film: Capturing the Imagination (2,3)

Mission: Impossible

• Biblical Allusions, Biblical Illusions: Hollywood Blockbuster and Scripture (8, Special Issue 1)
• Religion and Violence in Popular Film (3,1)

Mission: Impossible II

• Archetypes on Screen: Odysseus, St. Paul, Christ and the American Cinematic Hero and Anti-Hero (9,1)
• Film Review: Mission: Impossible II (4,2)
• Editorial (4,2)

Miyamoto Musashi

• Stillness in Motion: The Sleeping Man of Oguri Kohei (3,1)

Moccasin Flats

• Report from Sundance 2003: Religion in Independent Film (7,1)

A Moment of Innocence

• Film Review: The Silence (4,2)

The Monastery: Mr. Vig and the Nun

• Report from Sundance 2007: Religion in Independent Film (11, 1)

Mononoke-hime (Princess Mononoke)

• Between the Worlds: Liminality and Self-Sacrifice in Princess Mononoke (8,1)

Monsieur Ibrahim

• Film Review: Monsieur Ibrahim (8, 1)

Monsieur Vincent

• Cinema and Theology: The Case of Heaven Over Marshes (6,2)
• From Peepshow to Prayer: Toward a Spirituality of the Movies (6,2)

Monster

• Film Review: Monster (8, 1)

Monsters, Inc.

• Robot Heavens and Robot Dreams: Ultimate Reality in A.I. and Other Recent Films (7, 2)

Mon Curé chez les riches (My Priest among the Rich)

• Cinema and Theology: The Case of Heaven Over Marshes (6,2)

Monty Python's Life of Brian (Life of Brian)

• Book Review: Reading the Gospels in the Dark: Portrayals of Jesus in Film
• Still Crazy: An Unsung Homage to the New Testament (8,2)
• Teaching Religion and Film (2,3)
• A Picture's Worth: Teaching Religion and Film (2,3)
• Jesus in Film: Hollywood Perspectives on the Jewishness of Jesus (2,2)

Moon

• Report from Sundance 2009: Religion in Independent Film (13, 1)

Mother India (Bharat Mata)

• Book Review: Mother India

The Motorcycle Diaries (Diarios de Motocicleta)

• Film Review: The Motorcycle Diaries (Diarios de Motocicleta) (9,1)

Mouchette

• Rosetta Stone: A Consideration of the Dardenne Brothers' Rosetta (6,1)

The Mountain Men

• Native American Religion and Film: Interviews with Chris Eyre and Sherman Alexie (7,1)

Mr. Baseball

• Editorial (1,2)

Mr. Death: The Rise and Fall of Fred A. Leuchter, Jr.

• Report from Sundance 1999: Religion in Independent Film (3,1)

Mr. Destiny

• Images of God in the Movies (1,1)

Mr. Holland's Opus

• Religion and Violence in Popular Film (3,1)

Mr. Jones

• Report from Sundance 1999: Religion in Independent Film (3,1)

Mr. Mom

• To Commend or To Critique? The Question of Religion and Film Studies (1,2)

Mr. and Mrs. Iyer

• Book Review: Teaching Religion and Film

Mrs. Doubtfire

• Religion and Violence in Popular Film (3,1)

Muddy River

• Stillness in Motion: The Sleeping Man of Oguri Kohei (3,1)

Mulan

• Religion and Violence in Popular Film (3,1)

Mullholland Drive

• Robot Heavens and Robot Dreams: Ultimate Reality in A.I. and Other Recent Films (7, 2)

The Mummy

• The Path of Jihad in the Yacoubian Building (13, 1)
• Ancient Egyptian Religion on the Silver Screen: Modern Anxieties about Race, Ethnicity, and Religion (7, 2)

The Mummy Returns

• The Path of Jihad in the Yacoubian Building (13, 1)

Munich

• Film Review: Munich (10,1)

My Beautiful Laundrette

• Film Review: My Son the Fanatic (4,1)

My Best Friend's Wedding

• Religion and Violence in Popular Film (3,1)

My Life

• Robot Heavens and Robot Dreams: Ultimate Reality in A.I. and Other Recent Films (7, 2)

My Priest among the Rich (Mon Curé chez les riches)

• Cinema and Theology: The Case of Heaven Over Marshes (6,2)

My Son the Fanatic

• Book Review: Teaching Religion and Film
• Film Review: My Son the Fanatic (4,2)
• Editorial (4,2)

My Winnipeg

• Film Review: My Winnipeg (12, 2)

Mystic River

• Mystic River: A Parable of Christianity's Dark Side (8,1)

N

Naked Gun 2 1/2: The Smell of Fear

• Religion and Violence in Popular Film (3,1)

Naked Lunch

• From Navy Seals to The Siege: Getting to Know the Muslim Terrorist, Hollywood Style (9,2)

Napoleon Dynamite

• A Community of Characters – the Narrative Self in the Films of Wes Anderson (9,2)
• Film Review: Napoleon Dynamite (9,2)

Nashville

• Magnolia and the Signs of the Times: A Theological Reflection (4,2)
• Report from Sundance 1999: Religion in Independent Film (3,1)

Nättvardsgastern (Winter Light)

• From Peepshow to Prayer: Toward a Spirituality of the Movies (6,2)

The Natural

• Religion and Popular Movies (2,3)
• Biography: Robert Duvall (2,1)

Natural Born Killers

• Religion and Popular Movies (2,3)

Navy Seals

• From Navy Seals to The Siege: Getting to Know the Muslim Terrorist, Hollywood Style (9,2)

Nell

• Scripture on the Silver Screen (3,1)

Neon Genesis Evangelion: Death & Rebirth (Shin seiki Evangelion Gekijô-ban: Shito shinsei, Evangelion: Death & Rebirth)

• Robot Heavens and Robot Dreams: Ultimate Reality in A.I. and Other Recent Films (7, 2)

Neon Genesis Evangelion: The End of Evangelion (Shin seiki Evangelion Gekijô-ban: Air/Magokoro wo, kimi ni, End of Evangelion: Air/Sincerely Yours)

• Robot Heavens and Robot Dreams: Ultimate Reality in A.I. and Other Recent Films (7, 2)

Network

• Biography: Robert Duvall (2,1)

Never Die Alone

• Report from Sundance 2004: Religion in Independent Film

A New Hope (Star Wars: Episode IV - A New Hope)

• The Apocalyptic Cosmology of Star Wars (4,1)

Newsies

• Biography: Robert Duvall (2,1)

Night of the Living Dead

• Report from Sundance 2008: Religion in Independent Film (12, 1)
• Film Review: Land of the Dead (9,2)

The Nightmare Before Christmas

• Film Review: Sleepy Hollow (4,1)

9 1/2 Weeks

• Book Review: Screening the Sacred: Religion, Myth, and Ideology in Popular American Film

The Ninth Gate

• From The Rapture to Left Behind: The Movie and Beyond: Evangelical Christian End Times Films from 1941 to The Present (13, 2)

• Satan’s Seductress and the Apocalyptic Hero: The Body in American Apocalyptic Films at the Turn of the Century (13, 2)

• The Devil We Already Know: Medieval Representations of a Powerless Satan in Modern American Cinema (8,2)

No Country for Old Men

• Film Review: No Country for Old Men (11, 2)

North Starr

• Report from Sundance 2008: Religion in Independent Film (12, 1)

Northfork

• Film Review: Northfork (8,1)

Nostalgia

• Andrei Rublev: Religious Epiphany in Art (3,2)

Not Without My Daughter

• From Navy Seals to The Siege: Getting to Know the Muslim Terrorist, Hollywood Style (9,2)

No. 2

• Report from Sundance 2006: Religion in Independent Film (10,1)

The Nun's Story

• From Peepshow to Prayer: Toward a Spirituality of the Movies (6,2)

The Nutty Professor

• Religion and Violence in Popular Film (3,1)

O

101 Dalmations

• Religion and Violence in Popular Film (3,1)

Odd Obsession

• Stillness in Motion: The Sleeping Man of Oguri Kohei (3,1)

Offret (The Sacrifice)

• Book Review: Zwischen Fiktionalität und Kritik: Die Aktualität apokalyptischer Motive als Herausforderung theologischer Hermeneutik (Between Fictionalizing and Criticism: the Topicality of Apocalyptic Motives as a Challenge to Theological Hermeneutics)

Oh Brother, Where Art Thou?

• Black Song, White Song: Salvation Through The Radio in The Apostle and Oh Brother, Where Art Thou? (6, 2)

Oh, God

• Images of God in the Movies (1,1)

Oh, God! You Devil

• The Devil We Already Know: Medieval Representations of a Powerless Satan in Modern American Cinema (8,2)

The Old Dark House (1932)

• "Angels Carrying Savage Weapons": Uses of the Bible in Contemporary Horror Films (7, 2)

The Old Dark House (1963)

• "Angels Carrying Savage Weapons": Uses of the Bible in Contemporary Horror Films (7, 2)

Om Shanti Om

• Film Review: Om Shanti Om (12, 2)

Omaret yakobean (Yacoubian Building)

• The Path of Jihad in the Yacoubian Building (13, 1)
• Ancient Egyptian Religion on the Silver Screen: Modern Anxieties about Race, Ethnicity, and Religion (7, 2)

The Omega Man

• Film Review: I Am Legend (12, 1)

The Omen

• The Devil We Already Know: Medieval Representations of a Powerless Satan in Modern American Cinema (8,2)
• Biblical Allusions, Biblical Illusions: Hollywood Blockbuster and Scripture (8, Special Issue 1)
• "Angels Carrying Savage Weapons”: Uses of the Bible in Contemporary Horror Films (7, 2)
• Teaching Religion and Film (2,3)

The Omen III: The Final Conflict

• Biblical Allusions, Biblical Illusions: Hollywood Blockbuster and Scripture (8, Special Issue 1)
• "Angels Carrying Savage Weapons”: Uses of the Bible in Contemporary Horror Films (7, 2)

On a Clear Day

• Report from Sundance 2005: Religion in Indpendent Film (9,1)

One Flew Over the Cuckoo's Nest

• The Messianic Figure in Film: Christology Beyond the Biblical Epic (2,2)
• Editorial (2,1)
• Mozart & Salieri, Cain & Abel: A Cinematic Transformation of Genesis 4 (1,1)

One Night Stand

• Report from Sundance 1999: Religion in Independent Film (3,1)

The Only Good Indian

• Report from Sundance 2009: Religion in Independent Film (13, 1)

Operation Condor [Armour of the God II (Fei ying gai wak)]

• From Navy Seals to The Siege: Getting to Know the Muslim Terrorist, Hollywood Style (9,2)

Order of Myths

• Report from Sundance 2008: Religion in Independent Film (12, 1)

The Orphanage (El Orfanto)

• Book Review: Teaching Religion and Film

The Others

• "Angels Carrying Savage Weapons”: Uses of the Bible in Contemporary Horror Films (7, 2)

Our Nationhood

• Sundance 2004: Religion in Independent Film (8, 1)

Out of the Past

• The Ties That Bind and Bless the Soul': Grace and Noir in Schrader's Light Sleeper (2,2)

Outbreak

• Armageddon at the Millenial Dawn (4,1)

The Outfit

• Biography: Robert Duvall (2,1)

Over the Hills and Far Away

Report from Sundance 2009: Religion in Independent Film (13, 1)

P

Pale Rider

• Bringing out the Meaning: Deacy, Nolan, Scorsese, and what films 'mean' (13, 2)
• Preacher, Shepherd, Judge: The Role of the Outlaw Prophet in American Film (12,2)
• Book Review: Screening the Sacred: Religion, Myth, and Ideology in Popular American Film
• Religion and Violence in Popular Film (3,1)

Pan's Labyrinth

• Film Review: Pan's Labyrinth (12, 1)

The Paper

• Biography: Robert Duvall (2,1)

A Passage to India

• Book Review: Imag(in)ing Otherness: Filmic Visions of Living Together

The Passion of Ayn Rand

• Report from Sundance 1999: Religion in Independent Film (3,1)

The Passion of Joan of Arc (La Passion de Jeanne d'Arce)

• Book Review: Filmgoer's Guide to God
• Archetypes on Screen: Odysseus, St. Paul, Christ and the American Cinematic Hero and Anti-Hero (9,1)
• From Peepshow to Prayer: Toward a Spirituality of the Movies (6,2)

The Passion of the Christ (The Passion Recut)

• Film and the Apologetics of Biblical Violence (13, 1)
• Being True to the Text: From Genesis to Harry Potter (12, 2)
• Jesus Christ, Superstar? Why the Gospels Don’t Make Good Movies (12, 2)
• Film Review: Pan's Labyrinth (12,1)
• Book Review: Teaching Religion and Film
• Seeing with Buddha’s Eyes: Spring, Summer, Autumn, Winter...and Spring(11, 2)
• Film Review: The Nativity Story (11, 1)
• Diary of a Country Priest: The Transcendent on Film (10,2)
• The Passion Re-Cut: If "It Is As It Was”, Why the Redaction? (10, 2)
• The Construction of a Christ-figure within the 1956 and 1923 Versions of Cecil B. DeMille's The Ten Commandments (10,1)
• A Bloodthirsty Salvation: Behind the Popular Polarized Reaction to Gibson's The Passion (9,1)
• An Orthodox Perspective on Gibson's The Passion of Christ (8,2)
• Film Review: Kill Bill I (8, 1)
• Film Review: Monsieur Ibrahim (8, 1)
• Are the Gospel Passion Accounts Anti-Jewish? (8, Special Issue 1)
• Filming Jesus: Between Authority and Heresy (8,Special Issue 1)
• Judas the Film: Storytellers Then and Now (8, Special Issue 1)
• Are the Gospel Passion Accounts Anti-Jewish? (8, Special Issue 1)
• Biblical Allusions, Biblical Illusions: Hollywood Blockbuster and Scripture (8, Special Issue 1)
• Biblical Scholarship and the Passion Surrounding The Passion of the Christ (8, Special Issue 1)
• History, Hollywood, and the Bible: Some Thoughts on Gibson's Passion (8, Special Issue 1)
• Christ's Passion on Stage: The Traditional Melodrama of Deicide (8, Special Issue 1)
• Christian Anti-Semitism: Past History, Present Challenges: Reflections in Light of Mel Gibson's The Passion of the Christ ( 8, Special Issue 1)
• Passion-ate Moments in the Jesus Film Genre (8, Special Issue 1)
• Romans, Greeks, and Jews: The World of Jesus and the Disciples (8, Special Issue 1)
• The Arrest and Sentencing of Jesus: A Historical Reconstruction (8, Special Issue 1)
• Gibson's Passion: A Case Study in Media Manipulation? (8, Special Issue 1)
• Sectarian Catholicism and Mel Gibson (8, Special Issue 1)
• Biblical Scholarship and the Passion Surrounding The Passion of the Christ (8, Special Issue 1)
• Biblical Allusions, Biblical Illusions: Hollywood Blockbuster and Scripture (8, Special Issue 1)
• History, Hollywood, and the Bible: Some Thoughts on Gibson's Passion (8, Special Issue 1)
• Judas the Film: Storytellers Then and Now (8, Special Issue 1)
• Filming Jesus: Between Authority and Heresy (8, Special Issue 1)
• Introduction to The Journal of Religion & Film Special Issue No. 1 (8, Special Issue 1)
• Film Review: The Passion of the Christ (8, 1)

The Passion Play at Oberammergau

• Passion-ate Moments in the Jesus Film Genre (8, Special Issue 1)

Patch Adams

• Religion and Violence in Popular Film (3,1)

Paths of Glory

• Mission (Not) Accomplished: Stanley Kubrick’s Paths of Light and Darkness (11, 1)
• The Dharma Blues (6,1)

Patriot Games

• Religion and Violence in Popular Film (3,1)

Payback

• History, Hollywood, and the Bible: Some Thoughts on Gibson's Passion (8, Special Issue 1)

The Peacemaker

• Religion and Violence in Popular Film (3,1)

Pear ta maf (The Land Has Eyes)

• Report from Sundance 2004: Religion in Independent Film (8,1)

The Pelican Brief

• Religion and Violence in Popular Film (3,1)

The People vs. Larry Flynt

• Magnolia and the Signs of the Times: A Theological Reflection (4,2)

Perfumed Nightmare (Mababangong Bangungot)

• Perfumed Nightmare and Negative Experiences of Contrast: Third Cinema as Filmic Interpretation of Schillebeeckx (6,1)

Persona (Kinematograf)

• From Peepshow to Prayer: Toward a Spirituality of the Movies (6,2)

Peter Pan

• Book Review: Teaching Religion and Film

Phenomenon

• Religion and Violence in Popular Film (3,1)
• Biography: Robert Duvall (2,1)

Philadelphia

• Religion and Violence in Popular Film (3,1)

Phoebe in Wonderland

• Report from Sundance 2008: Religion in Independent Film (12, 1)

The Photoplay

• To “Elevate Unfortunate Humanity”On-screen: Linking World War I and Protestant Missions through Silent Film (12, 2)

The Pianist

• Film Review: Katyn (11, 2)
• Film Review: Little Miss Sunshine (11, 1)
• Film Review: The Pianist (6,2)

Pickpocket

• Book Review: Filmgoer's Guide to God
• Rosetta Stone: A Consideration of the Dardenne Brothers' Rosetta (6,1)

The Pill

• Report from Sundance 2003: Religion in Independent Film (7,1)

Pinocchio

• Robot Heavens and Robot Dreams: Ultimate Reality in A.I. and Other Recent Films (7, 2)

Places in the Heart

• Religion and Popular Movies (2,3)

Planet of the Apes

• Film Review: Planet of the Apes (5, 2)

Platoon

• Faith and the Absent Savior in Central Station (5,1)
• Book Review: Screening the Sacred: Religion, Myth, and Ideology in Popular American Film
• Editorial (2,1)
• To Commend or to Critique?; The Question of Religion and Film Studies (1,2)

The Player

• Report from Sundance 1999: Religion in Independent Film (3,1)

Pleasantville

• Fall, Creation, and Redemption in Heil LaBute's The Shape of Things (8,1)
• Robot Heavens and Robot Dreams: Ultimate Reality in A.I. and Other Recent Films (7, 2)
• The God Behind the Screen: Pleasantville & The Truman Show (5, 2)
• Editorial (5,2)
• Scripture on the Silver Screen (3,1)

Pocahontas

• Religion and Violence in Popular Film (3,1)

The Polar Express

• Being True to the Text: From Genesis to Harry Potter (12, 2)

Ponette

• Rosetta Stone: A Consideration of the Dardenne Brothers' Rosetta (6,1)

Presumed Innocent

• Religion and Violence in Popular Film (3,1)

Pretty Woman

• Found in Translation: From Hollywood Hits to Bollywood Blockbusters (11, 2)
• Religion and Violence in Popular Film (3,1)

Priest

• From Peepshow to Prayer: Toward a Spirituality of the Movies (6,2)
• Editorial (1,2)

Primal Fear

• Film Review: Keeping the Faith (4,2)
• Ancient Egyptian Religion on the Silver Screen: Modern Anxieties about Race, Ethnicity, and Religion (7, 2)
• Religion and Violence in Popular Film

The Prince of Egypt

• Film and the Apologetics of Biblical Violence (13, 1)
• Ancient Egyptian Religion on the Silver Screen: Modern Anxieties about Race, Ethnicity, and Religion (7, 2)
• Moses and the Reel Exodus (7, 1)
• Ancient Egyptian Religion on the Silver Screen: Modern Anxieties about Race, Ethnicity, and Religion
• Religion and Violence in Popular Film (3,1)

The Prince of Tides

• Ancient Egyptian Religion on the Silver Screen: Modern Anxieties about Race, Ethnicity, and Religion (7, 2)
• Fantasy Verses Redemption: Religious Possibility in Little Voice (4,2)
• Editorial (4,2)
• Religion and Violence in Popular Film (3,1)

Princess Mononoke

• Between the Worlds: Liminality and Self-Sacrifice in Princess Mononoke (8,1)

Private Benjamin

• To Commend or To Critique? The Question of Religion and Film Studies (1,2)

The Promise (Das Versprechen)

• Memory and Responsibility: An Interview with Margarethe von Trotta on Rosenstrasse (12, 1)

Proteus

• Report from Sundance 2004: Religion in Independent Film

The Protocols of Zion

• Report from Sundance 2005: Religion in Independent Film (9,1)

Psycho

• Book Review: Screening the Sacred: Religion, Myth, and Ideology in Popular American Film

Pulp Fiction

• Preacher, Shepherd, Judge: The Role of the Outlaw Prophet in American Film (12,2)
• Book Review: Hollywood Worldviews: Watching Films With Wisdom & Discernment
• Archetypes on Screen: Odysseus, St. Paul, Christ and the American Cinematic Hero and Anti-Hero (9,1)
• Biblical Allusions, Biblical Illusions: Hollywood Blockbuster and Scripture (8, Special Issue 1)
• Religion and Violence in Popular Film (3,1)
• Scripture on the Silver Screen (3,1)
• Religion and Popular Movies (2,3)

Punch Me in the Stomach

• Performing Selves/Performing as Self: Autobiographical Films of Children of Jewish Holocaust Survivors (3,2)
• Editorial (3, 2)
• Holocaust Laughter? A German Response to Punch Me in the Stomach (1,2)

Punch-Drunk Love

• A Community of Characters – the Narrative Self in the Films of Wes Anderson (9,2)

The Purple Rose of Cairo

• Fantasy Verses Redemption: Religious Possibility in Little Voice (4,2)
• Religion and Film: Capturing the Imagination (2,3)

The Pursuit of D.B. Cooper

• Biography: Robert Duvall (2,1)

Q

The Quarrel

• Book Review: Imag(in)ing Otherness: Filmic Visions of Living Together

Quantum of Solace

• Film Review: Quantum of Solace (13, 1)

Quest for Honor

• Report from Sundance 2009: Religion in Independent Film (13, 1)

Quo Vadis

• Cinema and Theology: The Case of Heaven Over Marshes (6,2)
• Celluloid Savior: Jesus in the Movies (6,2)
• The Messianic Figure in Film: Christology Beyond the Biblical Epic (2,2)

R

Raging Bull

• Archetypes on Screen: Odysseus, St. Paul, Christ and the American Cinematic Hero and Anti-Hero (9,1)
• Magnolia and the Signs of the Times: A Theological Reflection (4,2)
• The Ties That Bind and Bless the Soul': Grace and Noir in Schrader's Light Sleeper (2,2)

Raiders of the Lost Ark (Indiana Jones and The Raiders of the Lost Ark)

• Bringing out the Meaning: Deacy, Nolan, Scorsese, and what films 'mean' (13, 2)
• From Navy Seals to The Siege: Getting to Know the Muslim Terrorist, Hollywood Style (9,2)
• Film Review: Tomb Raider (5,2)
• The Rapture: A Challenging Vision of Horror (1,1)

The Rain People

• Biography: Robert Duvall (2,1)

Rambling Rose

• Biography: Robert Duvall (2,1)

Rambo: First Blood

• Archetypes on Screen: Odysseus, St. Paul, Christ and the American Cinematic Hero and Anti-Hero (9,1)
• Film Review: Windtalkers (6,2)

Rang-e khoda (The Color of Paradise)

• Majid Majidi and New Iranian Cinema (12, 1)

Ransom

• Religion and Violence in Popular Film (3,1)

The Rapture

• "Angels Carrying Savage Weapons”: Uses of the Bible in Contemporary Horror Films (7, 2)
• Apocalyptic Visions (4,1)
• The Apostle: A Psychiatric Appraisal (3,2)
• Teaching Religion and Film (2,3)
• Editorial (2,1)
• The Rapture: A Challenging Vision of Horror (1,1)
• Images of God in the Movies (1,1)

The Rapture of the Athlete Assuming into Heaven

• Slamdance Film Festival 2009

The Realization of a Negro's Ambition

• The Birth of a Nation as American Myth (8,2)

Recycle

• Report from Sundance 2008: Religion in Independent Film (12,1)

Red

• Report from Sundance 2008: Religion in Independent Film (12, 1)

Red Dragon (Roter Drache)

• Biblical Allusions, Biblical Illusions: Hollywood Blockbuster and Scripture (8, Special Issue 1)
• "Angels Carrying Savage Weapons”: Uses of the Bible in Contemporary Horror Films (7, 2)

The Red Squirrel

• Film Review: Lovers of the Arctic Circle (3,2)

Redemption

• Report from Sundance 2004: Religion in Independent Film

Religulous

• Film Review: Religulous (12, 2)

Rendition

• Film Review: Rendition (11, 2)

Reservoir Dogs

• Revisiting Violence in The Godfather: The Ambiguous Space of the Victimage Model (9,2)

Resurrection

• "Angels Carrying Savage Weapons”: Uses of the Bible in Contemporary Horror Films (7, 2)
• Film Review: Resurrection (4,1)

Return of the Jedi (Star Wars: Episode VI - Return of the Jedi)

• Any Gods Out There? Perceptions of Religion from Star Wars and Star Trek (7, 2)
• The Apocalyptic Cosmology of Star Wars(4,1)
• Apocalyptic Visions (4,1)
• Religion and Violence in Popular Film (3,1)
• Book Review: Screening the Sacred: Religion, Myth, and Ideology in Popular American Film
• Religion and Film: Capturing the Imagination (2,3)
• Religion & Popular Movies (2,2)
• To Commend or To Critique? The Question of Religion and Film Studies (1,2)

A Return to Salem's Lot

• "Angels Carrying Savage Weapons": Uses of the Bible in Contemporary Horror Films (7, 2)

Rhythm of the Saints

• Report from Sundance 2003: Religion in Independent Film (7,1)

The Right Stuff

• The Story Behind YAKOANA: An Interview with Anh Crutcher (3,1)

Rising Sun

• Religion and Violence in Popular Film (3,1)

Rite

• Report from Sundance 2009: Religion in Independent Film (13, 1)

The Robe

• From Peepshow to Prayer: Toward a Spirituality of the Movies (6,2)
• Celluloid Savior: Jesus in the Movies (6,2)

Robin Hood: Prince of Thieves

• Archetypes on Screen: Odysseus, St. Paul, Christ and the American Cinematic Hero and Anti-Hero (9,1)
• Religion and Violence in Popular Film (3,1)

RoboCop

• Symbolic Power and Religious Impotence in Paul Verhoeven's Spetters (7, 2)

The Rock

• Religion and Violence in Popular Film (3,1)

The Rocketeer

• The Unholy Biblical Subtexts and Other Religious Elements Built into Superman: The Movie (1978) and Superman II (1981) (7, 1)

Rocky (Episodes I, II, III, IV)

• Book Review: Screening the Sacred: Religion, Myth, and Ideology in Popular American Film
• Report from Sundance 1999: Religion in Independent Film (3,1)
• Religion and Popular Movies (2,3)
• To Commend or To Critique? The Question of Religion and Film Studies (1,2)

Rome, Open City

• Majid Majidi and New Iranian Cinema (12, 1)

Romeo + Juliet

• The Persistence of the Sacred in Baz Luhrmann’s Romeo + Juliet (11, 2)

Romero

• Judas the Film: Storytellers Then and Now (8, Special Issue 1)
• From Peepshow to Prayer: Toward a Spirituality of the Movies (6,2)
• Editorial (1,2)

Room

• Report from Sundance 2005: Religion in Independent Film (9,1)

Rosa Luxemburg(Die Geduld der Rosa Luxemburg)

• Memory and Responsibility: An Interview with Margarethe von Trotta on Rosenstrasse (12, 1)

Rosemary's Baby

• The Devil We Already Know: Medieval Representations of a Powerless Satan in Modern American Cinema (8,2)
• Teaching Religion and Film (2,3)

Rosenstrasse

• Memory and Responsibility: An Interview with Margarethe von Trotta on Rosenstrasse (12, 1)

Rosetta

• Rosetta Stone: A Consideration of the Dardenne Brothers' Rosetta (6,1)

The Royal Tenenbaums

• A Community of Characters – the Narrative Self in the Films of Wes Anderson (9,2)

The Rugats Movie

• Religion and Violence in Popular Film (3,1)

Rules of Engagement

• Film Review: The Kingdom (11, 2)
• From Navy Seals to The Siege: Getting to Know the Muslim Terrorist, Hollywood Style (9,2)

Rush Hour

• Religion and Violence in Popular Film (3,1)

Rushmore

• A Community of Characters – the Narrative Self in the Films of Wes Anderson (9,2)

S

The 6th Day

• Biblical Allusions, Biblical Illusions: Hollywood Blockbuster and Scripture (8, Special Issue 1)

S.S. Tenacity (Le Paquebot Tenacity)

• Native American Religion and Film: Interviews with Chris Eyre and Sherman Alexie (7,1)

Sabah

• Book Review: Teaching Religion and Film

The Sacrifice

• Book Review: Zwischen Fiktionalität und Kritik: Die Aktualität apokalyptischer Motive als Herausforderung theologischer Hermeneutik (Between Fictionalizing and Criticism: the Topicality of Apocalyptic Motives as a Challenge to Theological Hermeneutics)
• Andrei Rublev: Religious Epiphany in Art (3,2)
• Seeing and Being: Distinctively Filmic and ReligiousElements in Film (3,2)
• Editorial (3, 2)

Salome

• Teaching Religion and Film (2,3)

Samson and Delilah

• Intellects vast and cool and unsympathetic: Science, Religion, and The War of the Worlds Part II (11, 2)
• Intellects vast and cool and unsympathetic: Science, Religion, and The War of the Worlds Part I (11, 1)
• The Construction of a Christ-figure within the 1956 and 1923 Versions of Cecil B. DeMille's The Ten Commandments (10,1)
• The Unholy Biblical Subtexts and Other Religious Elements Built into Superman: The Movie (1978) and Superman II (1981) (7, 1)
• From Peepshow to Prayer: Toward a Spirituality of the Movies (6,2)

Sans Soleil

• Film Review: Lost in Translation (8, 1)

The Santa Clause

• Religion and Violence in Popular Film (3,1)

Santitos

• Report from Sundance 1999: Religion in Independent Film (3,1)

Såsom i en spegel (Through the Glass Darkly)

• From Peepshow to Prayer: Toward a Spirituality of the Movies (6,2)

Satan's Sabbath (Le Diable est parmi nous)

• Book Review: They Came from Within: A History of Canadian Horror Cinema

Saturday Nigh Fever

• Symbolic Power and Religious Impotence in Paul Verhoeven's Spetters (7, 2)

Saved

• Report from Sundance 2004: Religion in Independent Film

Saving Private Ryan

• It’s Not Just a Job, It’s a Calling: The Redemption of Soldiering as Religious Vocation in Saving Private Ryan (10, 2)
• Archetypes on Screen: Odysseus, St. Paul, Christ and the American Cinematic Hero and Anti-Hero (9,1)
• Film Review: Windtalkers (6,2)
• Religion and Violence in Popular Film (3,1)

The Scandals of Clochemerle (Clochermerle)

• Cinema and Theology: The Case of Heaven Over Marshes (6,2)

The Scarlet Letter

• Religion and Popular Movies (2,3)
• Biography: Robert Duvall (2,1)

Scent of a Woman

• Religion and Violence in Popular Film (3,1)

Schneeland (Snowland)

• Report from Sundance 2005: Religion in Independent Film (9,1)

Schindler's List

• Religion and Violence in Popular Film (3,1)

Schwestern oder Die Balance des Glück (Sisters, or the Balance of Happiness)

• Memory and Responsibility: An Interview with Margarethe von Trotta on Rosenstrasse (12, 1)

Scream

• Anti-feminism in Recent Apocalyptic Film (4,1)
• Religion and Violence in Popular Film (3,1)

Scream 2

• Religion and Violence in Popular Film (3,1)

Scrooged

• Teaching Religion and Film (2,3)

The Searchers

• Book Review: Finding Meaning at the Movies
• Archetypes on Screen: Odysseus, St. Paul, Christ and the American Cinematic Hero and Anti-Hero (9,1)
• To Commend or To Critique? The Question of Religion and Film Studies (1,2)

Searching for the Wrong-Eyed Jesus

• Film Review: Searching for the Wrong-Eyed Jesus (11, 2)

Second Sight

• Slamdance Film Festival 2009

The Secret of Roan Innish

• Editorial (2,1)

Secrets & Lies

• Book Review: Finding Meaning at the Movies

Sense and Sensibility

• When The Master Is Not Master: The Critique of Enlightenment in Ang Lee's Crouching Tiger, Hidden Dragon (7, 2)

A Serious Man

• Film Review: A Serious Man (13, 2)

Seven

• Film Review: Sleepy Hollow (4, 1)
• Film Review: Resurrection (4, 1)
• Religion and Violence in Popular Film (3, 1)

Seven Years in Tibet

• Film Review: Vajra Sky Over Tibet (11, 2)
• Film Review: Spring, Summer, Fall, Winter... and Spring (Bom yeoreum gaeul gyeoul geurigo bom) (9,2)
• Orientalist Commercializations: Tibetan Buddhism in American Popular Film (2,2)

The Seven-per-cent Solution

• Biography: Robert Duvall (2,1)

Seven Pounds

• Film Review: Seven Pounds (13, 1)

The Seventh Seal

• From Peepshow to Prayer: Toward a Spirituality of the Movies (6,2)
• Apocalyptic Visions (4,1)
• I Dream, Therefore I am: What Dreams May Come (4,1)
• Religion and Film: Capturing the Imagination (2,3)
• Religion and Popular Movies (2,3)
• Editorial (2,1)

The Seventh Sign

• Book Review: Screening the Sacred: Religion, Myth, and Ideology in Popular American Film
• "Angels Carrying Savage Weapons”: Uses of the Bible in Contemporary Horror Films (7, 2)
• From Peepshow to Prayer: Toward a Spirituality of the Movies (6,2)
• Superman as Christ-Figure: The American Pop Culture Movie Messiah (6,1)
• Apocalyptic Visions (4,1)
• I Dream, Therefore I Am: What Dreams May Come (4,1)
• Religion and Popular Movies (2,3)
• Teaching Religion and Film (2,3)
• Editorial (2,1)

Shadowlands

• Capturing C. S. Lewis's "Mere" Christianity: Another Look at Shadowlands

Shake Hands with the Devil: The Journey of Gen. Roméo Dallaire

• Report from Sundance 2005: Religion in Independent Film (9,1)

Shakespeare Behind Bars

• Report from Sundance 2005: Religion in Independent Film (9,1)

Shane

• Book Review: Reading the Gospels in the Dark: Portrayals of Jesus in Film
• Book Review: Finding Meaning at the Movies
• Jesus in Film: Hollywood Perspectives on the Jewishness of Jesus (2,2)
• Religion and Film: Capturing the Imagination (2,3)
• To Commend or to Critique? The Question of Religion and Film Studies (1,2)

The Shape of Things

• Fall, Creation, and Redemption in Heil LaBute's The Shape of Things (8,1)

The Shawshank Redemption

• Scripture on the Silver Screen (3,1)
• Religion & Popular Movies (2,3)
• Religions, Theology and Film in a Postmodern Age: A Response to John Lyden (2, 1)
• To Commend or To Critique? The Question of Religion and Film Studies (1,2)

The Sheltering Sky

• From Navy Seals to The Siege: Getting to Know the Muslim Terrorist, Hollywood Style (9,2)

Shin seiki Evangelion Gekijô-ban: Air/Magokoro wo, kimi ni (End of Evangelion: Air/Sincerely Yours, Neon Genesis Evangelion: The End of Evangelion)

• Robot Heavens and Robot Dreams: Ultimate Reality in A.I. and Other Recent Films (7, 2)

Shin seiki Evangelion Gekijô-ban: Shito shinsei (Evangelion: Death & Rebirth Neon Genesis Evangelion: Death & Rebirth)

• Robot Heavens and Robot Dreams: Ultimate Reality in A.I. and Other Recent Films (7, 2)

The Shining

• The Dharma Blues (6,1)

Shirley Valentine

• Religion, Theology and Film in a Postmodern Age: A Response to John Lyden (2,1)
• To Commend or To Critique? The Question of Religion and Film Studies (1,2)

Short Cuts

• Magnolia and the Signs of the Times: A Theological Reflection (4,2)
• Report from Sundance 1999: Religion in Independent Film (3,1)

A Short Film About Killing

• From The Ten Commandments to the Decalogue (7,1)

A Short Film about Love

• From The Ten Commandments to the Decalogue (7,1)

A Show of Force

• Biography: Robert Duvall (2,1)

Showgirls

• Symbolic Power and Religious Impotence in Paul Verhoeven's Spetters (7, 2)

Sideways

• Film Review: Sideways (9,2)

The Siege

• From Navy Seals to The Siege: Getting to Know the Muslim Terrorist, Hollywood Style (9,2)

A Sign from God

• Film Review: A Sign From God (4,2)
• Editorial (4,2)
• Report from Sundance 2000: Religion in Independent Film (4,1)
• Editorial (4,1)

The Sign of the Cross

• From Peepshow to Prayer: Toward a Spirituality of the Movies (6,2)

Signs

• Film Review: Signs (6,2)

The Silence (Sokhut)

• From Peepshow to Prayer: Toward a Spirituality of the Movies (6,2)
• Film Review: The Silence (4,2)
• Editorial (4,2)

The Silence of the Lambs

• Biblical Allusions, Biblical Illusions: Hollywood Blockbuster and Scripture (8, Special Issue 1)
• Film Review: Signs (6,2)
• Film Review: Hannibal (5,1)
• Religion and Violence in Popular Film (3,1)

Silent Light (Stellet licht)

• Film Review: Silent Light (Stellet licht) (11, 2)

Simon Magus

• Report from Sundance 2000: Religion in Independent Film (4,1)

Sin City

• Book Review: Teaching Religion and Film

Singing Our Stories

• Report from Sundance 1999: Religion in Independent Film (3,1)

Sister Act

• Religion and Violence in Popular Film (3,1)

Sister Act 2

• Religion and Violence in Popular Film (3,1)

Sisters, or the Balance of Happiness (Schwestern oder Die Balance des Glücks)

• Memory and Responsibility: An Interview with Margarethe von Trotta on Rosenstrasse (12,1)

Sita Sings the Blues

• Film Review: Sita Sings the Blues (13, 2)

The Sixth Sense

• Robot Heavens and Robot Dreams: Ultimate Reality in A.I. and Other Recent Films (7,2)
• Cinematic Illustrations in Christian Theology (6,2)
• The Apostle: A Psychiatric Appraisal (3,2)

Skins

• Native American Religion and Film: Interviews with Chris Eyre and Sherman Alexie (7,1)

Skinwalkers (TV)

• Native American Religion and Film: Interviews with Chris Eyre and Sherman Alexie (7,1)

Sleepers

• Religion and Violence in Popular Film (3,1)

Sleeping Man

• Editorial (3,1)
• Stillness in Motion: The Sleeping Man of Oguri Kohei (3,1 )

Sleeping with the Enemy

• Religion and Violence in Popular Film (3,1)

Sleepless in Seattle

• Religion and Violence in Popular Film (3,1)

Sleepy Hollow

• Film Review: Sleepy Hollow (4,1)

Sliding Doors

• Bringing out the Meaning: Deacy, Nolan, Scorsese, and what films 'mean' (13, 2)

Slingshot Hip Hop

• Report from Sundance 2008: Religion in Independent Film (12, 1)

Sling Blade

• Book Review: Finding Meaning at the Movies
• Scripture on the Silver Screen (3,1)
• The Messianic Figure in Film: Christology Beyond the Biblical Epic (2,2)

A Small Domain

• Film Review: A Sign From God (4,2)

Small Engine Repair

• Film Review: Small Engine Repair (13, 1)

Smoke Signals

• Native American Religion and Film: Interviews with Chris Eyre and Sherman Alexie (7,1)

Smooth Talk

• A Picture's Worth: Teaching Religion and Film (2,3)

Smudge

• Report from Sundance 2006: Religion in Independent Film (10,1)

Smultronstället (Wild Strawberries)

• From Peepshow to Prayer: Toward a Spirituality of the Movies (6,2)

Snowland (Schneeland)

• Report from Sundance 2005: Religion in Independent Film (9,1)

Sokhut (The Silence)

• From Peepshow to Prayer: Toward a Spirituality of the Movies (6,2)
• Film Review: The Silence (4,2)
• Editorial (4,2)

Solaris

• Book Review: Finding Meaning at the Movies
• Andrei Rublev: Religious Epiphany in Art (3,2)

Soldier of Orange (Soldaat van Oranje)

• Symbolic Power and Religious Impotence in Paul Verhoeven's Spetters (7, 2)

Song for a Raggy Boy

• Report from Sundance 2003: Religion in Independent Film (7,1)

The Song of Bernadette

• Cinema and Theology: The Case of Heaven Over Marshes (6,2)
• From Peepshow to Prayer: Toward a Spirituality of the Movies (6,2)

Songs from the Second Floor

• Film Review: Songs from the Second Floor (5,1)

Sound of Music

• Jesus Christ, Superstar? Why the Gospels Don’t Make Good Movies (12, 2)
• From Peepshow to Prayer: Toward a Spirituality of the Movies (6,2)

Sous le soleil de Satan (Under the Sun of Satan)

• Book Review: Filmgoer's Guide to God (9, 2)
• Rosetta Stone: A Consideration of the Dardenne Brothers' Rosetta (6,1)

Space Jam

• Religion and Violence in Popular Film (3,1)

Spaceballs

• Anti-feminism in Recent Apocalyptic Film (4,1)

The Specialist

• Religion and Violence in Popular Film (3,1)

Speed

• Religion and Violence in Popular Film (3,1)

Spetters

• Symbolic Power and Religious Impotence in Paul Verhoeven's Spetters (7, 2)

Spirited Away

• Shinto Perspectives in Miyazaki's Anime Film Spirited Away (8,2)
• Robot Heavens and Robot Dreams: Ultimate Reality in A.I. and Other Recent Films (7, 2)

Spring, Summer, Fall, Winter... and Spring (Bom yeoreum gaeul gyeoul geurigo bom)

• Seeing with Buddha’s Eyes:  Spring, Summer, Autumn, Winter...and Spring (11, 2)
• Film Review: Spring, Summer, Fall, Winter... and Spring (Bom yeoreum gaeul gyeoul geurigo bom)(9,2)

Spy Hard

• Religion and Popular Movies (2,3)

Stalin

• Biography: Robert Duvall (2,1)

Stalker

• Book Review: Zwischen Fiktionalität und Kritik: Die Aktualität apokalyptischer Motive als Herausforderung theologischer Hermeneutik (Between Fictionalizing and Criticism: the Topicality of Apocalyptic Motives as a Challenge to Theological Hermeneutics)
• Andrei Rublev: Religious Epiphany in Art (3,2)

Star Trek

• Book Review: Finding Meaning at the Movies
• Any Gods Out There? Perceptions of Religion from Star Wars and Star Trek (7, 2)
• Anti-feminism in Recent Apocalyptic Film (4,1)
• Religion and Violence in Popular Film (3,1)
• Religion and Film: Capturing the Imagination (2,3)

Star Trek (2009)

• Film Review: Star Trek (13, 1)

Star Trek III: Search for Spock (Star Trek III: Return to Genesis)

• Any Gods Out There? Perceptions of Religion from Star Wars and Star Trek (7, 2)

Star Trek IV: The Voyage Home

• Any Gods Out There? Perceptions of Religion from Star Wars and Star Trek (7, 2)

Star Trek V: The Final Frontier

• Any Gods Out There? Perceptions of Religion from Star Wars and Star Trek (7, 2)

Star Trek VI: The Undiscovered Country

• Any Gods Out There? Perceptions of Religion from Star Wars and Star Trek (7, 2)
• Religion and Violence in Popular Film (3,1)

Star Trek: Deep Space Nine (DS9)

• Any Gods Out There? Perceptions of Religion from Star Wars and Star Trek (7, 2)

Star Trek: First Contact (Star Trek 8)

• Any Gods Out There? Perceptions of Religion from Star Wars and Star Trek (7, 2)
• Religion and Violence in Popular Film (3,1)

Star Trek: Generations (AKA Star Trek 7)

• Any Gods Out There? Perceptions of Religion from Star Wars and Star Trek (7, 2)
• Religion and Violence in Popular Film (3,1)

Star Trek: Insurrection (Star Trek 9)

• Any Gods Out There? Perceptions of Religion from Star Wars and Star Trek (7, 2)

Star Trek: Nemesis (Star Trek 10)

• Any Gods Out There? Perceptions of Religion from Star Wars and Star Trek (7, 2)

Star Trek: The Motion Picture

• Any Gods Out There? Perceptions of Religion from Star Wars and Star Trek (7, 2)

Star Trek: The Next Generation (Star Trek: TNG)

• Any Gods Out There? Perceptions of Religion from Star Wars and Star Trek (7, 2)

Star Trek: The Wrath of Kahn

• Any Gods Out There? Perceptions of Religion from Star Wars and Star Trek (7, 2)

Star Trek: Voyager

• Any Gods Out There? Perceptions of Religion from Star Wars and Star Trek (7, 2)

Star Wars (Episodes I, II, III, IV, V, VI)

• Star Wars' Saving Return (13, 1)
• Book Review: Screening the Sacred: Religion, Myth, and Ideology in Popular American Film
• Any Gods Out There? Perceptions of Religion from Star Wars and Star Trek (7, 2)
• He is the One: The Matrix Trilogy's Postmodern Movie Messiah (9,2)
• Reassessing The Matrix/Reloaded (7,2)
• The Unholy Biblical Subtexts and Other Religious Elements Built into Superman: The Movie (1978) and Superman II (1981) (7, 1)
• Buddhism, Christianity, and The Matrix: The Dialectic of Myth-Making in Contemporary Cinema (4,2)
• The Apocalyptic Cosmology of Star Wars (4,1)
• Apocalyptic Visions (4,1)
• Report from Sundance 1999: Religion in Independent Film (3,1)
• Religion and Violence in Popular Film (3,1)
• Religion and Film: Capturing the Imagination (2,3)
• Teaching Religion and Film (2,3)
• Religion and Popular Movies (2,3)
• "The Ties That Bind and Bless the Soul": Grace and Noir in Schrader's Light Sleeper (2,2)
• To Commend or To Critique? The Question of Religion and Film Studies (2,1)
• Discussion Topic 6: God and "the Force" - Star Wars

Star Wars Expisode I: The Phantom Menace

• The Apocalyptic Cosmology of Star Wars (4, 1)
• Apocalyptic Visions (4,1)

Star Wars Episode III Revenge of the Sith

• Film Review: Star Wars: Episode III Revenge of the Sith (9,2)

Star Wars Episode IV: A New Hope

• The Apocalyptic Cosmology of Star Wars (4, 1)

Star Wars Episode V: The Empire Strikes Back

• The Apocalyptic Cosmology of Star Wars (4, 1)

Star Wars: Episode VI: Return of the Jedi

• The Apocalyptic Cosmology of Star Wars (4, 1)

Star Wars: Starfighter Special Edition (VG)

• Religion and Violence in Popular Film (3, 1)

Stargate

• Ancient Egyptian Religion on the Silver Screen: Modern Anxieties about Race, Ethnicity, and Religion (7, 2)
• Religion and Violence in Popular Film (3,1)

Starman

• Anti-feminism in Recent Apocalyptic Film (4,1)

The Stars Fall on Henrietta

• Biography: Robert Duvall (2,1)

Stellet licht (Silent Light)

• Film Review: Stellet licht (Silent Light) (11, 2)

Stepmom

• Religion and Violence in Popular Film (3,1)

Stigmata

• "Angels Carrying Savage Weapons”: Uses of the Bible in Contemporary Horror Films (7, 2)
• The Apostle: A Psychiatric Appraisal (3,2)
• Film Review: Stigmata (3,2)

Still Crazy

• Still Crazy: An Unsung Homage to the New Testament (8,2)

The Sting of Death

• Stillness in Motion: The Sleeping Man of Oguri Kohei (3,1)

The Stone Boy

• Biography: Robert Duvall (2,1)

Stormy Monday

• Report from Sundance 1999: Religion in Independent Film (3,1)

The Straight Story

• Rosetta Stone: A Consideration of the Dardenne Brothers' Rosetta (6,1)

Strange Days

• Book Review: Zwischen Fiktionalität und Kritik: Die Aktualität apokalyptischer Motive als Herausforderung theologischer Hermeneutik (Between Fictionalizing and Criticism: the Topicality of Apocalyptic Motives as a Challenge to Theological Hermeneutics)
• Seeing Beyond the End of the World in Strange Days and Until the End of the World (7,1)